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Feast (2005)

by Patrick Melton and Marcus Dunston.
Revised Draft, 5/3/2004.

More info about this movie on IMDb.com


FOR EDUCATIONAL PURPOSES ONLY


FADE IN:

EXT. DESERT -- DAY

The white sun beats down on the rocky terrain. There's not a 
cloud in the blue sky and the wind is at a standstill.

Far in the distance, a MEDIUM SIZED FLAT-BED TRUCK makes its 
way to the entrance of a large cavern opening. Two VULTURES 
perched on a barren tree watch the intruders.

EXT. DESERT -- DAY

The truck screeches to a dusty stop. Three men in matching 
coveralls and hard hats jump from the cab: CHIEF (42, stocky, 
weary), LANKY (32, withered) and COLLEGE BOY (23, clean cut 
and naive).

Chief holds a map and glares into the howling black mouth 
before them.

			CHIEF
	This is it.

			LANKY
	Why did it have to be these caves...

			COLLEGE BOY
	Is something wrong?

			LANKY
		(to College Boy)
	Don't mind me, buddy. It's nothin'.

Chief grabs a flashlight and moves to the back of the truck.

The logo on the rear gate reads "WIGWAM WASTE MANAGEMENT." 

			CHIEF
	Let's get that first barrel.

The gate drops revealing their full load of YELLOW BARRELS 
bearing the familiar BIOHAZARD WASTE symbol.

INT. CAVERN -- MOMENTS LATER

College Boy and Lanky steer a cart loaded with the first 
barrel inside. Chief's lone beam of light leads the men.

			COLLEGE BOY
	What's with the awkward silence?

			LANKY
	You don't know?

College Boy shakes his head "no" and they set the cart down.

			CHIEF
	Last winter, a man kidnapped a little 
	girl and holed up in one of these 
	caves. The cops had him pinned down 
	and began to move in. This guy started 
	shooting... but he wasn't aiming at 
	the officers...
		(getting closer)
	...he was firing at something inside.

College Boy is rapt.

			CHIEF
	When the dust cleared, all they found 
	was the little girl's shoes.
		(beat)
	With the feet still in 'em.

Something GRABS College Boy's ankles, causing him to jump.

			COLLEGE BOY
	Ahh!!!

Lanky's on his knees, having grabbed him from behind. The 
two men mockingly laugh. College boy settles, embarrassed.

			COLLEGE BOY
	Assholes.

			CHIEF
	Hey, relax, I nearly shit myself 
	when my boss pulled that one on me.

			LANKY
	I went well beyond nearly.

Then, a sound. All eyes turn.

			CHIEF
	What was that?

			COLLEGE BOY
	Once was plenty, fellas.

			CHIEF
	Shhhh...

As Chief moves forward, pulling out his pick-axe.

Instantly, the cave is illuminated by a white floodlight. A 
group of GREENPEACE HIPPIE ACTIVISTS stand in the cave, 
CHAINED TOGETHER at the waist, startling the men into screams.

MEAN GREEN (35, crooked glasses on a face that has launched 
a thousand craps) barks into a MINI BULLHORN that hangs around 
her neck. She charges towards Chief.

			MEAN GREEN
	Stop it right there! You will not 
	rape Mother Nature one more day!

Panicked, Chief drops his pick-axe and stumbles back.

			CHIEF
	Whoa! Whoa! Whoa!

In unison, the hippies start CHANTING.

			HIPPIE GROUP
	Mother Nature is not a whore/Don't 
	dump in her any-more/Mother Nature 
	is not a whore/Don't dump in her any-
	more...

A BEARDED CAMERAMAN with a huge KEY RING on his belt, films 
the whole event. The three men are stopped in their tracks.  

			CHIEF
	Take it easy! We have a permit!

			MEAN GREEN
		(handing a document)
	And we have an injunction from the 
	State to prevent any dumping in these 
	caverns! This is virgin land! The 
	aqueducts in these caves bring 
	drinking water to our families, and 
	its piping provides drainage for our 
	farms that enrich this barren land! 
	And it won't be tainted by waste of 
	any kind! Not now! Not ever!

Chief, shaken, confirms the injunction and hands it back.

			CHIEF
	Fine, just back off!

He snaps his fingers, motioning to the barrel.

			CHIEF
	Let's roll... Now-now-now!

Backing away, looking to Mean Green.

			CHIEF
	How do you guys always know where 
	we're going?

			MEAN GREEN
		(with a smirk)
	I'll tell ya next time! NOW MOVE IT!

Hastily, the men roll the barrel out of the cave.

			MEAN GREEN
	Score one for the green team!!!

The hippies let out a spirited cheer. One pulls out a 
tambourine, drums the beat for KUM BI YA. The rest join in 
the victorious chant as they watch the three men hop in their 
truck and peel away.

			BEARDED CAMERAMAN
	Hey, man, that was righteous, but I 
	need a shot with the sign up.

At the end of the human chain, an earthy woman, FUZZY, moves 
to hang a GREENPEACE sign. Mean Green strokes the cave wall.

			MEAN GREEN
	We saved you today, ol' gal.

Fuzzy hammers the sign in, but hits too hard, causing a breach 
in the rock wall.

			FUZZY
	Oh, fuck!

			MEAN GREEN
	Sister, why do you always swing for 
	the fences?

			FUZZY
		(eyeing breach)
	It's okay, but I... I think I see 
	something in there... something shiny.

Fuzzy puts her face up to the hole for a closer look. The 
rest of the hippie-chain moves in closer.

			FUZZY
	Oh my, it looks like diamonds!

CHOMP! A set of giant, ravenous teeth bite into Fuzzy's skull. 
Blood SPLATTERS on the hippies.

Bearded Cameraman jumps to pull Fuzzy from the breach.

Fuzzy's body is YANKED into the hole. The group tumbles 
forward.

Mean Green tries to stop herself from sliding, but can't.

One by one, the hippies are being dragged to their death.

Ripping, tearing, and howling echoes off the walls.

Bearded Cameraman stumbles back. Mean Green spots him.

			MEAN GREEN
	Give me the keys!!!

Bearded Camerman just stares at her in shock. He's missing 
both his arms.

Mean Green lunges and grabs Chief's dropped pick-axe. She 
HAMMERS at the chain around her waist.

Foot by foot, she's dragged closer. At the last second, she 
BREAKS the chain, popping herself free.

She spins, running for safety. A guttural HOWL behind her 
fills the cavern. Mean Green sprints toward the cave opening. 
She's gonna make it. Only a few more feet. And then... JERK!

Something grabs her neck and YANKS her back into the darkness. 
The whiplash sends her bloody BULLHORN flying into the light. 
As it lands, it lets out one last weak HONK...

							CUT TO BLACK:

SUPERIMPOSED: BASED ON A TRUE STORY

The title SHATTERS...

INT. CRASHED CAR -- NIGHT

P.O.V. - We frantically EMERGE from the burning wreck... 
RUN from the crash over desolate prairie land...

EXT. BAR -- NIGHT

Neon light flashes UNITED NATIONS TAVERN. Laughing and music 
emanates. Besides the bar, there's nothing around for miles.

A 1985, pristine black Pontiac Trans-Am with a Golden Eagle 
on the hood pulls up. The rear bumper sticker reads "MY OTHER 
TOY HAS TITS."

A weasel-like man with a fat belly and tank-top emerges from 
the hot rod carrying a VELVET POOL CUE CASE. Freeze on him.

NAME: BOZO 
AGE: 32 
JOB: UNEMPLOYED 
OCCUPATION: TOWN JACKASS 
LIFE EXPECTANCY: DEAD BY DAWN

The rest of the parking lot is scattered with cars and pickup 
trucks. Bozo lazily makes his way to the bar and pushes 
through the front entrance --

INT. BAR -- CONTINUOUS

Bozo passes a man dressed in a cheap suit and standing well 
over six foot five with frazzled black hair and olive skin.

Talking with a thick Greek accent, he pleads into a pay phone.

			COACH
		(into pay phone)
	They took my laptop with my PowerPoint 
	presentation, my Blackberry, my 
	cell... And to top it off, my car 
	crapped out on the side of the road! 
	I'm not making the conference and I 
	have fourteen leads waiting for me. 
	You gotta help me out here. I'm not 
	kidding, I've have fourteen PRIMO 
	leads waiting in the lobby of the 
	Mariott... MARIOTT...

Freeze on him.

NAME: COACH 
AGE: 42 
OCCUPATION: LIFE COACH & MOTIVATIONAL SPEAKER 
FUN FACT: OFTEN CALLED THE GREEK TONY ROBBINS 
LIFE EXPECTANCY: STAY FAR, FAR AWAY

CLICK. The pay phone goes dead.

			COACH
	Son of a --
		(deep breath, soothing)
	In with anger, out with love.

Further into the bar, a man in a wheelchair loads a quarter 
into an old jukebox, but he is instantly pushed away by Bozo.

Freeze on him.

NAME: PARA 
AGE: 29 
OCCUPATION: FIREWORKS DEALER 
COMIC BOOK COLLECTION: RIDICULOUSLY HUGE 
LIFE EXPECTANCY: THEY WOULDN'T KILL A CRIPPLE... WOULD THEY?

Bozo's tank-top reads, "ONLY COOL CHICKS CAN DO ME."

			PARA
		(rolling away)
	Hey...

			BOZO
	Shut up, fag.

Bozo punches in his selection. EDGY CAT (34, samurai pony 
tail, don't you dare call him an alcoholic) stands by the 
bar's POOL TABLE powdering his cue.

			EDGY CAT
		(to Bozo)
	You're late!

			BOZO
	Don't dilly-dally then. Rack 'em!

The CD spins and an 1980s heavy metal classic KICKS IN.

Bozo, mouthing the lyrics, struts away.

NOTE: Music plays over all the bar sequences.

EXT. PRAIRIE LAND -- NIGHT

P.O.V. - We continue to run. Rapid breathing.

INT. BAR -- NIGHT

Beer Guy (kinda handsome... just kinda) sets a keg of beer 
behind the bar. Freeze on him.

NAME: BEER GUY 
AGE: 32 
OCCUPATION: BEER GUY/PART-TIME HOST AT RED LOBSTER 
LIFE EXPECTANCY: WIMPS AND DORKS ARE THE FIRST TO GO... HE'S 
BOTH

He talks with BARTENDER (thinning hair, chiseled face, big 
earring) who preps a drink.

			BEER GUY
	I mean, we'd been together for so 
	long and then... bang! She drops me. 
	Since then, it's been like a damn 
	country song: she's gone, the car's 
	repossessed, and a father figure 
	made a pass at me. I'm not saying I 
	ever had it. But I have definitely 
	lost it.
		(beat)
	Now I haul this swill from armpit to 
	armpit. I used to be a model for 
	Christ's sake.

Coach has been eavesdropping on Beer Guy and approaches.

			COACH
	For what, may I ask?

			BEER GUY
	JC Penny. Spring wear.

Beer Guy then mimics throwing a sport coat over his shoulder 
and delivering his "model" cheese smile.

			COACH
	You know, Chach, catching you at 
	this low point is pure serendipity.

			BEER GUY
	Why is that?

			COACH
	Because I take the rubble of man and 
	build superstars. In my briefcase 
	here is a doorway to a self-help 
	sensation. Give me a minute, because 
	I'd like to buy you a drink and change 
	your life forever. I have a brochure --

			BARTENDER
	Save it. We don't deal in pamphlets 
	'round here. We stick to chemistry. 
	And his drinks are on me.

Bartender puts a shot in front of Beer Guy. Behind him, a 
mounted DEER HEAD is prominently displayed. Freeze on him.

NAME: BARTENDER 
AGE: 50 
OCCUPATION: BARTENDER 
FUN FACT: SHOT 4 TIMES, STABBED 6 TIMES, BIT BY 1 SQUIRREL 
LIFE EXPECTANCY: READY TO WEAR

With Coach stumped, Bartender turns to Beer Guy.

			BARTENDER
	Was that the last keg?

			BEER GUY
	Yup, one keg of Beast for the 
	basement, then the truck's dry.

			BARTENDER
	If you're stayin', move the truck, 
	boss gets pissed about you using 
	primo parking.

Beer Guy downs his shot and hoists the lone keg into the 
waiting keg elevator.

			BEER GUY
	Right, 'cause this joint's hopping.

He hits a button and the keg slowly lowers to the basement.

EXT. PRAIRIE LAND -- NIGHT

P.O.V. - We jump over a bush and crash in the dusty earth.

INT. BAR -- NIGHT

A glass of beer slides down the bar. A hand GRABS it and 
puts it on a tray. The woman is pretty though haggard, stained 
apron and dirty blond hair. Freeze on her.

NAME: TUFFY 
AGE: 25 
OCCUPATION: CAREER WAITRESS 
FUN FACT: SERVED 100 HOURS OF COMMUNITY SERVICE FOR ILLEGAL 
DUMPING OF MANURE... IN EX-HUSBAND'S CAR 
LIFE EXPECTANCY: BADASS-IN-WAITING

Tuffy carries the tray toward a table. She passes a TV mounted 
on the wall.

ON TV: A NEWSCASTER, dressed in a coat and tie, talks.

			NEWSCASTER
	...the search for the missing 
	protesters will be further complicated 
	by the unstable conditions of these 
	deep tunnels. Thus far, no sign of 
	life has been detected, yet town 
	officials are still optimistic.

Newscaster spins and an ECLIPSE GRAPHIC appears on screen.

			NEWSCASTER
	On a brighter note, or should I say 
	a darker note, tomorrow's solar 
	eclipse will bring out adults and 
	children alike for a citywide fair 
	of this metrological event. Stay 
	tuned for our man on the street to 
	take a closer look...

INT. BAR -- BASEMENT -- NIGHT

Beer Guy pulls the keg from the elevator and places it next 
to other kegs. A faint conversation brews behind a curtain. 
BOSS MAN (paunchy, sweaty, ugly) and ROADIE (English accent, 
light hair, leather skin, thin build) talk shop.

			BOSS MAN (O.S.)
	Listen, bud. I got a load ready to 
	move and your man's not here.

			ROADIE (O.S.)
	He's coming. Relax. And if he doesn't 
	show --

			BOSS MAN (O.S.)
	We got a problem.

EXT. PRAIRIE LAND -- NIGHT

P.O.V. - We are trucking... labored breathing...

INT. BAR -- NIGHT

Tuffy moves to a table where ADULTERER (bushy mustache, 
sweater vest, dress shirt) sits with TRAMPY (designer glasses, 
hair pulled back, tight blue business suit, closet tramp). 

Freeze on Trampy.

NAME: TRAMPY 
AGE: 19 
OCCUPATION: BANK TELLER 
MOTTO: THE SHORTER THE SKIRT, THE HIGHER THE RAISE 
LIFE EXPECTANCY: BETTER THAN ADULTERER

			TRAMPY
	He said there was no reason I had to 
	stay a teller and that if I did good 
	work and didn't mess up, I could 
	become an assistant manager within 
	three years.
		(pause)
	Can you believe that?

			ADULTERER
	That sounds great.

Freeze on him.

NAME: ADULTERER 
AGE: 36 
OCCUPATION: HIGH SCHOOL P.E. INSTRUCTOR 
NICKNAME: DR. BLUMPKIN 
GENITALS: SHAVED 
LIFE EXPECTANCY: WORSE THAN TRAMPY

Adulterer reaches into his pocket to pay the tab, but he 
inadvertently pulls out his hidden WEDDING RING.

			TRAMPY
	That sounds like bullshit! I could 
	be an assistant manager at The Lake 
	Arrowhead Casino for knowing the 
	fuckin' alphabet to G! I'll be twenty 
	in three months...

The damning wedding band falls and bounces. As it rolls, 
Tuffy, Trampy and Adulterer watch.

The ring stops, standing still on its side.

Trampy seethes as she chooses which obscenity to deliver.

Adulterer slides a wad of cash to Tuffy.

			ADULTERER
	Just bring the whole bottle.

EXT. PRAIRIE LAND -- NIGHT

P.O.V. - Sprinting and wheezing. The bar lights are ahead.

INT. BAR -- NIGHT

Tuffy walks back over to the bar adding Adulterer's cash to 
a fat roll of money. BELLE (stringy blond hair, cute face, 
brand-spanking new employee) looks up with surprise.

Freeze on her.

NAME: BELLE 
AGE: 21 
OCCUPATION: WAITRESS 
GOAL: PLAY BELLE IN STAGE VERSION OF "BEAUTY AND THE BEAST"  
LIFE EXPECTANCY: SAME ODDS AS PLAYING BELLE IN STAGE VERSION 
OF "BEAUTY AND THE BEAST"

			BELLE
	If I could made that kind of money, 
	I'd be in Hollywood next week.

Boss Man walks by and nods to Tuffy, making his way to the 
rickety side-staircase to the SECOND FLOOR. Tuffy grinds her 
teeth and moves to the staircase.

			TUFFY
	'Round here, there are ways.

Boss Man winks at Belle. Pure sleaze.

Freeze on him.

NAME: BOSS MAN 
AGE: 47 
OCCUPATION: BAR OWNER 
MOTTO: IF THERE'S GRASS IN THE FIELD, PLAY BALL 
LIFE EXPECTANCY: REGULAR OR EXTRA-CRISPY?

EXT. PRAIRIE LAND -- NIGHT

P.O.V. - Running, approaching the distant bar...

INT. BAR -- NIGHT

Bozo looks grimly at a pile of CASH on the ledge of the pool 
table. Edgy Cat sinks the eighth shot of a NINE BALL game.

			EDGY CAT
	That cash is gonna look much better 
	in my pocket.

			BOZO
		(re: mounted head)
	Ya know, that deer only looks scared 
	when you're in the room.

Para rolls up behind Edgy.

			PARA
	Excuse me, please.

			EDGY CAT
	Jesus!

Edgy looks to Para, distracted. Bozo quickly replaces the 
WHITE CUE BALL with one hidden in his waistline.

EXT. BAR -- NIGHT

P.O.V. - The bar's a quarter mile away.

INT. BAR -- NIGHT

Para's chair back aims at the pool table pocket of which 
Edgy Cat is lining up for the winning shot.

			EDGY CAT
	That's all she wrote...

SMACK! The nine ball sinks in the pocket, the cue ball 
ricochets away as intended.

Para flips a switch under his wheelchair's arm rest. The cue 
ball strays ODDLY into the pocket near Para. Scratch.

			EDGY CAT
	What?!

			BOZO
	Ohhh, now that's a rough one.

			EDGY CAT
	That's motherfuckin' impossible!

			BOZO
		(crude Oriental accent)
	Yoh anga will be yoh downfah. Go 
	again?

			EDGY CAT
	Goddamn it! NO!

			BOZO
	Oh, come on. Crape Diem!

Bozo takes the cash from the table. Edgy Cat sulks away 
cursing to himself and moves to the bar.

Roadie looks on, sipping a beer.

Freeze on Roadie.

NAME: ROADIE 
AGE: 38 
OCCUPATION: BAND ROADIE 
FUN FACT: TOURED WITH BON JOVI... SLIPPERY WHEN WET ERA 
LIFE EXPECTANCY: A FEW DOG YEARS

EXT. PRAIRIE LAND -- NIGHT

P.O.V. - Still running. The bar is getting closer.

INT. BAR -- NIGHT

Bozo HITS the table of GRANDPA (elderly, white hair, bushy 
white mustache) and GRANDMA (curly white hair, glasses).

Freeze on them.

NAMES: GRANDPA AND GRANDMA 
AGES: 88 AND 86 
OCCUPATION: RETIRED 
FUN FACT: BEEN TOGETHER SINCE THE DEPRESSION 
LIFE EXPECTANCY: THEY DON'T BUY GREEN BANANAS

			BOZO
	Wake up! Check your pants!

			GRANDPA
	Get outta here.

			BOZO
		(mocking)
	What's that? Wha'cha say? Huh?
		(to Grandma)
	How much for the whole night, Grandma?

			GRANDMA
	You should be so lucky.

			GRANDPA
		(re: his fists)
	This one will stun ya, but this one 
	will put ya to sleep.

			BOZO
	Whoa!

Bozo approaches OLD VET (52, long hair with bandanna, dirty 
beard) HARLEY MOM, (45, bruiser, grizzled, tough as a saddle) 
and DRUNK GUY at the bar. The sad trio toss peanut shells 
into three nearby tall, fat peanut barrels.

			BOZO
	You boys wanna try your luck at the 
	loot?

Harley mom is offended. Not a word from the others.

			BOZO
	Come on, I'll even throw with my 
	left hand.

He turns in disappointment.

			BOZO
	Nothin' but a bunch of butts and 
	pussies in here!

EXT. PRAIRIE LAND -- NIGHT

P.O.V. - The bar is close -- we leap a ditch.

INT. BAR -- NIGHT

KRASH! Belle DROPS a tray full of drinks behind the bar.

			BELLE
	Shit! Shit! Shit!

			BARTENDER
	Don't sweat it, just clean it up 
	before he's done.

He points up to the second floor.

INT. BAR -- SECOND FLOOR -- NIGHT

Tuffy's son CODY (7, innocent, cute) sits on the floor 
watching TV. Freeze on him.

NAME: CODY 
AGE: 7 
OCCUPATION: TAX BREAK 
LIFE EXPECTANCY: A WONDERFUL, FULL LIFE

Tuffy puts headphones over his ears.

			TUFFY
	Keep these on, sweetheart.

			CODY
	Mommy, I want Nemo.

			TUFFY
	Mommy's working on it.

Tuffy kisses him and then moves to an adjacent room.

ADJACENT ROOM

Tuffy enters the room and takes off her blouse exposing her 
breasts. She pulls up her skirt and bends over a bedpost.

			TUFFY
	Let's get this over with.

Boss Man walks up naked, except for red cowboy boots.

			BOSS MAN
	I love a woman with enthusiasm.

INT. BAR -- NIGHT

Bozo walks to the middle of the room.

			BOZO
	I got two hundred bucks says none of 
	you can beat me!

			BARTENDER
	Hey! Get quiet or get out.

			BOZO
	C'mon guys --

EXT. BAR -- NIGHT

P.O.V. - Hurtling toward the double doors and --

INT. BAR -- NIGHT

			BOZO
	Gimme some ACTION --

BOOM! The double doors to the bar are kicked open by HERO 
(30s, rugged alpha man built to kick ass).

KRASH! Belle DROPS a second tray of drinks --

MUSIC CUTS OUT

Hero is scraped, bruised and bloodied. He is dressed in blue 
denim and holds a RUST-RED SHOTGUN and GUNNY SACK.

He SLAMS the double doors shut and props a chair against the 
handles, securing them.

			HERO
	Unless you people want to die you'll 
	do what I say and you'll do it fast!

Bartender cocks his SHOTGUN.

			BARTENDER
	You hold it right there, mister.

			HERO
	A storm of hell's coming down on 
	this place any minute!

			BARTENDER
	Drop the canon!

Hero puts down the shotgun and moves towards Bartender.

			HERO
	I'm not armed now, just hear me out.

			BARTENDER
	I'll drop you and not even think 
	about it!

			HERO
	Let me explain!

			BARTENDER
	You got one second to --

Hero reveals a drool-dripping, white, GRANDPA BEAST HEAD 
from the gunny sack and holds it out and for all to see.

			HERO
	Take a good look and listen to me! 
	There's at least a four of these 
	things out there!

Grandpa Beast's head has large red eyeballs and a mouth full 
of jagged, ivory white teeth. It is like an albino jackal 
head with spiked hair.

			HERO
	I saw one of them tear up five men 
	like they were corn on the cob!
		(off silence, shock)
	I don't know what they are. I don't 
	know where they came from. All I do 
	know is that these fuckers are fast, 
	nasty, and hungry.

The bar stares at him, slack-jawed.

			HERO
	And they can fly. Not to mention 
	they got claws like Ginsu knifes and 
	more teeth than a chainsaw.

The Bartender lowers his shotgun slightly. Fast as a snake, 
Hero GRABS it. He notices the engraving, "THE JUDGE."

			HERO
	They're like goddamn blood hungry 
	biker tattoos come to life. They're 
	clocking us. Right now. And we have 
	to lock this bar down!
		(moving around)
	That means doors, windows, drains, 
	and basements. We have to do it fast!

Hero looks out the lone front window.

			HERO
		(looks to Belle)
	You! Get on that phone. Call the 
	cops, National Guard, townies, whoever 
	kicks ass and get 'em out here.

Belle moves to a pay phone at the end of the bar.

			HERO
	Any questions?

			BARTENDER
	Who are you?

			HERO
	I'm the hero --

CRASH! A white Beast arms BURSTS through the window and SPLITS 
Hero right down the middle. The Judge FIRES into the ceiling --

SECOND FLOOR

The Judge's blast blows a toe off Boss Man's RIGHT FOOT as 
he reaches climax with Tuffy. Boss Man HOLLERS.

MAIN BAR

Hero's right half is JERKED outside through the window.

Blood sprays. Rapid chomping. CRASH! The double doors are 
kicked open, splintering the propped up chair.

HEROINE (Native American, rugged, ripped pants, wickedly 
hot) rushes in, slams the doors shut and instinctively kicks 
up the RUST RED SHOTGUN. She flips it sideways and slides 
the metal weapon through the handles of the double doors, 
securing them.

BAM! A massive HIT slams into the doors from the outside 
sending Heroine SLIDING across the floor.

She SPRINGS to her feet and drives her weight into a table 
attempting to hoist it over the now open window.

			HEROINE
	HELP ME! SOMEBODY!

Old Vet and Harley Mom rush to Heroine's aid. They raise the 
table to cover the gaping hole. Heroine looks outside.

			HEROINE
	GET DOWN!

A BEAST nails the rising table, just missing Heroine's face.

The table falls, pinning Heroine.

JUNIOR BEAST enters. He's small and too fast to see well.

He SWIPES the heads off Old Vet and Harley Mom. Bartender 
grabs The Judge, but he's SCRATCHED down the back.

Junior Beast rips out the pay phone. Knocks over the TV.

Yanks out half of Trampy's hair.

Edgy Cat CHARGES the spastic monster with a stool.

			EDGY CAT
	I got you!

Edgy Cat misses. Junior Beast sends him FLYING into a wall.

BLAM! BLAM! Bartender FIRES The Judge at the creature hitting 
lights instead. An errant shot destroys Edgy Cat's face.

Para covers as Junior Beast RIPS the back of his wheelchair.

Roadie WHACKS Junior Beast with a chair. Stunned, it flies 
across the room, landing in a metal ICE COOLER.

Bozo SLAMS it closed, capturing Junior Beast.

			BOZO
	Got 'cha!

EXT. BAR -- CONTINUOUS

Shadows of THREE SHRIEKING BEASTS close in on the window...

INT. BAR -- CONTINUOUS

Bartender runs across the bar and SLAMS shut the thick wood 
shutters. The Beasts HIT, cracking the middle.

Roadie power lifts the table with Heroine and braces it 
against the window for reinforcement, but a FURRY ARM busts 
through and grabs the other half of Hero.

			HEROINE
	Goddamn you!

Blood starts to SPRAY from outside as the rest of Hero is 
being devoured through the smallish hole.

Heroine works a GOLD RING off of Hero's ring finger. The 
feeding MOMMA BEAST'S head breaks in through the hole. It 
grabs Heroine's left forearm.

Bartender aims The Judge at the Beast...

			ROADIE
	You'll hit her!

Roadie KNOCKS The Judge up -- BLAM!

SECOND FLOOR

The Judge's shotgun blast blows off another toe on Boss Man's 
RIGHT FOOT. He cries out in agony. 

MAIN BAR

Heroine spins and buries a splintered piece of the broken 
chair into the ATTACKING MOMMA BEAST'S RIGHT EYE. The Beast 
SCREECHES and jerks back, dragging the rest of Hero outside.

Heroine clutches the ring. Shrieks and flapping wings are 
heard outside. They dissipate. A moment of calm.

Belle timidly holds the receiver of the busted pay phone.

The other patrons emerge from under tables and other hiding 
spaces in various states of shock. Junior Beast has 
momentarily stopped moving. Bozo secures the lid with a nearby 
PADLOCK.

			BOZO
	What the FUCK was that?

Wild-eyed and with a trembling hand, Heroine pours herself a 
shot from the bar. She downs it and takes a long breath.

			HEROINE
	The jungle has a new king.

Freeze on her.

NAME: HEROINE 
AGE: 27 
OCCUPATION: SURVIVOR 
LIFE EXPECTANCY: HOPEFULLY LONGER THAN THE LAST HERO

									CUT TO:

Pan and scan over various NEWSPAPER HEADINGS with pictures 
and newsreel footage that read:

"EDWARDS, CALIFORNIA 1940: HIKING CLUB MAULED BY BEARS"

"LOCKHART, CALIFORNIA 1948: BRUSH FIRE DEMOLISHES RURAL 
COMMUNITY, DOZENS MISSING"

"HI-VISTA, CALIFORNIA 1956: UNIVERSITY ARCHEOLOGICAL DIG 
BURIED IN MINE SHAFT COLLAPSE"

"PEARBLOSSOM, CALIFORNIA 1964: AVALANCHE BLAMED FOR MISSING 
HORSEBACK RIDERS"

"SALTDALE, CALIFORNIA 1972: MUDSLIDE CLAIMS LOCAL BROWNIE 
TROOP EARNING COURAGE BADGES"

"GARLOCK, CALIFORNIA 1980: ELDERLY TOUR GROUP WASHED AWAY BY 
FLASH FLOOD"

"CALTIL, CALIFORNIA 1988: SINKHOLES DEMOLISH A STRING OF 
CABINS, SEVERAL FAMILIES PERISH"

"WILSONA GARDENS, CALIFORNIA 1996: GAS LEAK EXPLOSION DESTROYS 
HILLSIDE COMMUNITY"

									CUT TO:

INT. BAR -- NIGHT

There is a HOLLER at the top of the stairs. Everyone turns.

			BOSS MAN
	Is it clear?!

			BARTENDER
	Yeah.

			BOSS MAN
	Is there a gun pointing at you?

			BARTENDER
	Nah, I got the gun.

Boss Man hobbles down the stairs with the help of Tuffy. His 
foot is a bloody mess. He is holding a .38.

			BOSS MAN
	Alright goddamn it! Who shot me!? 
	Who did it!?

Belle and Bartender move to his aid.

			BOSS MAN
	My goddamn foot is gone! Who fuckin' 
	shot me? Who fuckin' shot me!?

			BARTENDER
		(motioning to Heroine)
	Her fella.

			HEROINE
	My husband...

			BOSS MAN
	Well, where's the sonuvabitch!?

			HEROINE
	He's dead.

			BOSS MAN
	What?
		(noticing destruction)
	What the hell happened down here?!

Boss Man looks to Bozo.

			BOZO
	I didn't do it! It was fuckin' 
	monsters, asshole!

			BOSS MAN
	Jesus Christ on the cross... someone 
	make sense.

			HEROINE
	Easy. We're surrounded by something 
	the likes none of you have ever seen 
	before. Some kind of animals. Real 
	fast, volatile, predators. One went 
	through three of your patrons like 
	nothing.

			BOSS MAN
	So, your dead hubby shot me twice, 
	three of my customers have been eaten, 
	and there are angry creatures outside?

			HEROINE
	He only shot you once.

			BOSS MAN
	Huh?

			HEROINE
		(re: Bartender)
	He shot you the other time.

			BARTENDER
	It was an accident. Sorry.

Boss Man squints skeptically. Adulterer points to GRANDPA 
BEAST'S HEAD on the bar.

			ADULTERER
	Look at it!

			BOSS MAN
	Fan-fuckin-tastic.

			TUFFY
	My god... what is that?

			HEROINE
	That's one piece of four problems.

			BOSS MAN
	Please elaborate.

			HEROINE
	That head over there, that's the 
	oldest of the bunch, looked like the 
	Grandpa. We caught the little one, 
	Junior, in the cooler there. As we've 
	seen, what he lacks in size he more 
	than makes up for in speed.

			BARTENDER
	And the rest of 'em?

			HEROINE
	Unfortunately, the worst of 'em are 
	still outside.

NOTE: As Heroine describes each beast, we see a slight glimpse 
of their virtues, hidden mainly by shadows and fog.

			HEROINE
	The next one is taller, but all out 
	of proportion. Like a "teen beast."

EXT. PRAIRIE LAND -- NIGHT

TEEN BEAST has a big head and awkward body. He clumsily moves 
and seems uncomfortable in his own skin.

			HEROINE (V.O.)
	He was spastic, clumsy, but deadly 
	just the same.

INT. BAR FRONT -- NIGHT

Heroine tends to her scratched arm.

			HEROINE
	I just took the eye out of the mother. 
	She calculates, guiding the attacks.

EXT. PRAIRIE LAND -- NIGHT

MOMMA BEAST flashes out from the dark. She's shorter than 
Teen, but much wider. She has a big mouth and NATIONAL 
GEOGRAPHIC BOOBS that hang down to her waist. She covers her 
stabbed right eye and SCREECHES.

INT. BAR -- NIGHT

Heroine taps her right eye.

			HEROINE
	If you are face to face with her, 
	dive left.

			ROADIE
	And the last one is the --

			HEROINE
	Father. The biggest, the strongest...

EXT. PRAIRIE LAND -- NIGHT

A blur of muscles, bloody fur, and teeth.

INT. BAR -- CONTINUOUS

The entire bar stares at Heroine with their mouths agape.

			HEROINE
	No sign of any weaknesses. No sign 
	at all. He's an eating machine.

			COACH
	Of all the friggin' bars to be stuck 
	in.

			HEROINE
	That's not it. Four are here, but 
	there's three others... which I can't 
	account for.

Heroine eyes the room.

			HEROINE
	We need to lock this place down. Is 
	everyone in this room?

			TUFFY
	Oh my god! My son! My SON!

Tuffy races toward the staircase to the SECOND FLOOR.

			HEROINE
	Wait!

Tuffy is halfway up the stairs.

			TUFFY
	Cody! Mommy's coming! Mommy's coming!

			HEROINE
	Stop her!

			BARTENDER
	Hey!

SECOND FLOOR

Tuffy BURSTS through the door. Cody sits by the TV, unmoved. 

			CODY
	Mommy --

Tuffy pulls Cody into her arms. Heroine and Bartender halt 
to guard the doorway. Heroine spots a SMALL PORTAL WINDOW.

			TUFFY
	Oh sweetheart! What was I thinking? 
	Mommy is never gonna let you go!

			HEROINE
	Let's lock off this room.

			TUFFY
		(moving to exit)
	Never, ever, never. Never, ever, 
	never, baby. I love you --

SMASH! Papa Beast BURSTS through the portal window and RIPS 
Cody's torso from Tuffy's grasp. Tuffy holds his DANGLING 
ARMS. Blood sprays everywhere.

			TUFFY
	NOOOOOOOO!

Papa Beast LUNGES at Tuffy! Bartender SHOOTS, nailing Papa 
Beast. He hisses, but can't fit through the small window.

Bartender aims again for a kill shot, but Papa Beast 
projectile vomits Cody's remains at Bartender.

Papa Beast retracts out the portal window. Heroine SLAMS the 
wood shutters closed.

Tuffy drops Cody's arms. Bug-eyed. She moves, zombie-like, 
to the staircase. Bartender follows, covered in Papa Beast's 
bile. Heroine locks the staircase door shut.

			HEROINE
	Damn it.

MAIN BAR

Beer Guy stares at the bile covered Bartender.

			BEER GUY
	Oh god...

He hands him a towel. Tuffy slowly walks towards the rest of 
the patrons. The blood on her face and chest tells them what 
happened. The horror hits home.

Heroine eyes the destroyed phone.

			COACH
		(to Tuffy)
	Are you --

Heroine puts a hand up to silence Coach.

			HEROINE
	Just let her be... please.
		(beat)
	Is that the only phone?

Bartender emerges from the back holding a mess of plastic 
and wires.

			BARTENDER
	The back phone is wrecked, too.

Trampy's eyes light up and she digs through her purse.

			BELLE
	This is really happening. I can't 
	believe this is really happening.

Grandpa and Grandma have calmly re-taken their seats.

			GRANDPA
	What'd you say?

			GRANDMA
	I didn't say anything.

Bartender hesitantly tosses a wash towel over the Grandpa 
Beast head at the end of the bar.

Para is awkwardly trying to fix the back of his wheelchair.

Belle moves over to help and sees a mess of wires coming 
from the wheelchair's back rest.

			PARA
	Thank you, but I don't need any help --

			BELLE
	What's this? A power magnet or 
	something?

			PARA
	No. It's nothing.

Belle puts together his scam with a smirk.

			BELLE
	I didn't peg you for a con man.

			PARA
	Hey, it pays more than the couch.

			BELLE
	Lots of stuff around here does.

Trampy pulls out a CELLULAR PHONE from her purse.

			TRAMPY
	Here!

The group looks over. Adulterer GRABS it.

			TRAMPY
	Hey!

			ADULTERER
	Back off!

Beer Guy walks from behind the bar.

			BEER GUY
	So, what now? Did those things leave?

			BOZO
	Why don't you go check it out?

			BEER GUY
	Fuck no.

			ADULTERER
		(into cell phone)
	I have a signal! I have -- Diane? 
	Diane listen to me... get the kids 
	and get in the basement... do it 
	right now...

Trampy stares with grief in her eyes.

			ADULTERER
	I'll explain later. Not now! I'm at 
	a bar... look... shut up! JUST SHUT 
	UP AND GET IN THE FUCKING BASEMENT, 
	DIANE! Diane! Diane?... Hello? Damn 
	it! I lost the signal!

Adulterer looks at the phone a bit dazed.

			ADULTERER
	Okay. Okay. Look now, I gotta get 
	outta here! I gotta go! My wife... 
	See my wife is alone... She could be 
	in trouble. I GOTTA GO!

He moves towards the front door. Heroine moves into his path.

			HEROINE
	I wouldn't do that.

Adulterer, violently grabs Heroine to shove her away.

			ADULTERER
	Fuck you, bitch!

Heroine nails Adulterer with THREE HITS to the chin, throat 
and chest, flipping him to the floor. She pulls a KNIFE from 
her belt buckle and has it under Adulterer's chin.

			HEROINE
	You can risk your life, but not mine! 
	My daughter's no more than twenty 
	miles from here waiting for me. I 
	have just as much reason to leave 
	this place as you do. But I also 
	know that if they're here, then 
	they're not there yet.

Adulterer squirms.

			HEROINE
	You understand me?

			ADULTERER
	Get the fuck off...

			HEROINE
	You understand me!?

			ADULTERER
	Yes!

			HEROINE
	Now pull that tough boy shit again 
	and I'll slice you from neck to nuts!

Adulterer nods obediently. Heroine removes the knife from 
his neck and plants it back into her buckle.

			ADULTERER
	You can't keep me here. This is 
	bullshit. Fuckin' bullshit. This is 
	fucking BULLSHIT!

			HEROINE
	We can't risk letting them in.

			ADULTERER
		(trembling, pissed)
	Right.

Adulterer takes his seat. He looks over at the half bald 
Trampy. She looks at him, hurt.

At the bar, Bozo puts the TV back into place, he jiggles 
with some wires in the back, bringing back the picture.

			BOZO
	Anything?

			PARA
	Yeah, you got it.

The bar takes notice. Trampy, cell phone in hand, paws through 
a phone book as she watches the broadcast.

			BELLE
	See! This has to be isolated. That's 
	a local broadcast.

ON TV: The Newscaster reads the teleprompter.

			NEWSCASTER
	And now, we head to our man on the 
	scene with a live look at tomorrow's 
	event in Red Mountain.

Heroine eagerly looks on, moving closer to the TV.

			HEROINE
	My daughter's in Red Mountain.

ON TV: There is an awkward pause from the Newscaster. The 
broadcast doesn't cut to the reporter.

			NEWSCASTER
	Can you hear us? Apparently we're 
	having some technical difficulties...

Heroine sinks in her skin.

			HEROINE
	Oh no.

			NEWSCASTER
	Oh, there we go!

ON TV: A REPORTER, in an even worse suit, stands in a field 
with several people looking through telescopes.

			REPORTER
	That's right, the crowds are lining 
	up early to witness tomorrow's 
	meteorological phenomenon.

Heroine sighs a gust of relief.

			REPORTER
	But always remember, don't look 
	straight into the sun because a 
	special filter is needed to avoid 
	damaging your cornea.

The Reporter beams.

			REPORTER
	And we're all looking forward to it 
	tomorrow. Back to you.

In the studio, the Newscaster smirks.

			NEWSCASTER
	Thank you. And in other news...

Roadie points to the TV.

			ROADIE
	That studio's local, we can call in.

			BOSS MAN
	I have a short wave radio upstairs.

Trampy is already dialing on the cell.

			TRAMPY
	I'm calling them... it's ringing!

			ROADIE
	They'd have a police scanner.

			TRAMPY
		(into cell)
	Hello? Yes, we're at the United --

ON TV: the Newscaster continues his routine.

			NEWSCASTER
	...it has been reported that the 
	power outage --

A Beast arm REACHES in and TEARS off Newscaster's jaw. The 
bar gasps in horror as his blood sprays. ZAP! The broadcast 
cuts out, turning to static.

Trampy screams and DROPS the cell, SHATTERING on impact.

			TRAMPY
	Oh no! Oh fucking no!

Heroine, tense, quells the rising panic.

			HEROINE
	Keep it together! I came from the 
	east. That studio is south of here. 
	For all we know, north and west are 
	okay.

			ROADIE
	An associate of mine was coming in 
	from the north, ain't heard a word 
	from him in hours.

			HEROINE
	So, that leaves the west.

Tuffy looks up from a booth, clearing her throat.

			TUFFY
	And Red Mountain. Your daughter.

Heroine looks over, making eye contact.

			HEROINE
	Right.

			BEER GUY
	This is goddamn depressing.

At the door, Heroine slides a thick metal pole through the 
double door handles and takes out the Rust Red shotgun.

			BOSS MAN
	I've got some tools and extra planks 
	in the kitchen, if we're on the same 
	page here.

			HEROINE
	Let's work.

INT. BAR -- NIGHT

The last board is hammered into place as the survivors back 
away from the now re-enforced bar.

			BARTENDER
	We'll it ain't pretty...

			BOSS MAN
	But its got teeth.

BAM-BAM-BAM! Junior Beast bangs around in the ice cooler.

			BOZO
	I think it's hungry again.

			HEROINE
	We have to kill it.
		(to Boss Man)
	Can you help?

Boss Man hobbles over to the cooler and aims his .38. Junior 
Beast goes wild, trying to get out.

			BOSS MAN
	Fire in the hole!

Bullets rip through the cooler. Junior squeals. More shots.

Casings hit the ground. Smoke rises. Bozo leans in.

			BOZO
	I think we got --

RAH! A tiny white arm fires out from the cooler GRABBING 
Bozo's leg. Bozo yelps.

Moving quick, Tuffy grabs The Judge from Bartender and shoves 
the barrel into a hole.

BLAM! Guts splatter. Bozo falls back unscathed. He catches 
his breath and looks to Tuffy. She is born again, seething.

			TUFFY
	You're welcome.

She hands the shotgun back to Bartender.

			TRAMPY
	Jesus, it took all that? All those 
	bullets? How can we possibly fight 
	off the others?

			HEROINE
	Aim for their orifices. Eyes, ears 
	and mouth. From what I've seen, it's 
	their only weakness.

			ROADIE
		(looking at the corpse)
	Looks like they're soft on the inside 
	like any other animal. Trick is to 
	get in there and do the damage.

			BELLE
	Maybe we don't have to fight them.

			BOZO
	Right, let's just call 'em names.

Coach steps forward, poised to make the sale.

			COACH
	Ladies and gentlemen, if I may have 
	your attention.

The bar skeptically eyes the large, sweaty Greek man.

			COACH
	We have to think outside the box 
	here. We don't need to fight them, 
	we need to scare them. Scare them 
	right back. This is a species stand-
	off. We just need to show them we're 
	not vulnerable. That we're formidable.

			ADULTERER
	How?

			COACH
	I need a stick.

Bartender opens the cooler's lid and carefully pulls out 
Junior Beast with salad tongs. It falls to the floor with a 
SPLAT. Coach grabs a splintered broomstick.

			COACH
	Stand back.

He buries the broomstick into Junior's side and carries the 
limp carcass towards a covered hole in the wall.

			COACH
	Let's get that board down.

Roadie pries off a board to reveal a pumpkin sized hole. 

			HEROINE
	What are you doing?

Coach shoves Junior's mangled body through to the outside.

			COACH
	Showing superiority. The scent of 
	their dead may drive them away.

The whole bar moves to the side wall to see how the Beast 
family will react. They look through SMALL HOLES, barely 
able to see anything.

			BEER GUY
	I don't see them.

			COACH
	Come on. Come onnnnnn.

			BELLE
	Is there a call, or something?

			BOZO
	See that you monkey fucks! That's 
	what you get when you mess with us! 
	Woman or man, I don't give a fuck! 
	Shit don't make me gay because you'll 
	be sucking my dick!

Bozo's insult hangs in the air.

			PARA
	Sweet...

P.O.V - THROUGH SMALL HOLES

WHOOSH! Junior is swiped from the handmade pike.

INT. BAR -- CONTINUOUS

Coach jerks back. The startled group tries to focus, but 
it's too dark outside. With the moon as the only light, Father 
Beast can barely be made out cradling his dead child.

Silhouettes of the other family members slowly approach 
Junior. Papa Beast is gentle and it's almost endearing.

			BEER GUY
	It's working. I think it's working.

			COACH
	You see? What I tell you?

The whole group starts to ease. Then... Papa Beast HOLLERS.

P.O.V. - THROUGH SMALL HOLES

Papa Beast lets out a HORRID WAIL. The group jumps back, 
covering their ears. Then, something really odd happens.  
Momma tosses Junior in the air, opens her wide jaws and 
SWALLOWS HIM WHOLE.

INT. BAR -- CONTINUOUS

Adulterer's eyes widen.

			ADULTERER
	Good christ! They're cannibals!

			COACH
	Oh dear...

P.O.V. - THROUGH SMALL HOLES

Papa Beast moves behind Momma Beast and grabs hold of her.

INT. BAR -- CONTINUOUS

A steady "thud-thud-thud" rhythm vibrates the bar. Grandpa's 
drink starts to hop to edge of his table with the beats. The 
group maneuvers to get a better look.

			TRAMPY
	Oh... my... god.

			PARA
	What are they doing now?

P.O.V. - THROUGH SMALL HOLES

Yes, Momma Beast and Papa Beast are having MONSTER SEX.

INT. BAR -- CONTINUOUS

			BOZO
	Dude, they're humpin'!

P.O.V. - THROUGH SMALL HOLES

Unlike humans, Papa Beast finishes and the birth cycle lasts 
all of thirty seconds. Momma Beast's belly balloons up and 
she squats. POP! A SLIMY OBJECT the size and shape of a vacuum 
cleaner drops from her.

INT. BAR -- CONTINUOUS

Trampy VOMITS.

P.O.V. - THROUGH SMALL HOLES

The slimy object SPLITS in half. The two halves spring 
appendages and raise their heads. The TWIN SISTER BEASTS 
have been born.

Papa moves forward and cleans off his new baby girls. The 
Beast Girls look at the bar and hiss in unison.

INT. BAR -- CONTINUOUS

Heroine's eyes bulge.

			HEROINE
	Get back!

SLAM-SLAM! The two hissing Beast Girls strike the bar front.

Roadie shoves that board back over the hole. Beer Guy is 
holding back the still heaving Trampy's hair.

			BOZO
	Any more ideas, Animal Planet?

			COACH
	I-I-I was just being proactive...

			BEER GUY
		(to Bozo)
	Hey, you weren't helpin'!

			BOZO
	Go douche.

			BARTENDER
	What the hell now?

			ADULTERER
	We're stuck in here. That's what.

Bozo pops open a beer off the back of Para's wheelchair.

Roadie nods to Grandpapa Beast's head on the end of the bar.

			ROADIE
	Hey, Miss?

Heroine turns.

			ROADIE
	If you don't mind me asking, how did 
	you run into these things?

			BOSS MAN
	More importantly, how did you run 
	away from these things?

			HEROINE
	Well, it all started about forty 
	hours ago...

							DISSOLVE TO:

EXT. PRAIRIE LAND -- EVENING

The orange sun melts into the horizon.

INT. FARMHOUSE -- CONTINUOUS

Hero and his overweight friend TUBBS (35, hard living career 
farm hand) laugh at a TV show while Heroine paces on the 
telephone in the background.

			HEROINE
		(into phone)
	So, how is staying with Grandma 
	working out? Ya know, if you stare 
	into her glasses, you can see what 
	cards she is holding. But I didn't 
	tell you that.

EXT. PRAIRIE LAND -- CONTINUOUS

There's a home on the horizon with a big barn next to it.

Shrieking and flapping grows in the distance.

INT. FARMHOUSE -- CONTINUOUS

Heroine starts to peek out of the window.

			HEROINE
	Mommy will pick you up tomorrow night, 
	okay baby?

The phone cuts out.

			HEROINE
	Hello? Charlie?

Heroine and Hero look at each other with concern. Hero looks 
out the window.

			HERO
	Holy mother of...

INT. BAR -- NIGHT

Heroine has the group mesmerized.

			HEROINE
	We barricaded ourselves in the cellar. 
	Then it was just listening. We heard 
	those things destroy an entire heard 
	of livestock. They just kept coming. 
	Closer and closer, consuming anything 
	in the way. Slashing, feeding and 
	licking the bones clean. Just when 
	we said our prayers, the first ray 
	of sun hit the house...

EXT. FARMHOUSE -- MORNING

PLOP! A HORSE'S HEAD falls as Heroine and her companions 
peek out from the damaged cellar door.

INT. BAR -- NIGHT

			HEROINE
	That first beam of sunlight drove 
	'em away. Somewhere. We called who 
	we could and then decided to run for 
	it. We didn't see a soul the whole 
	drive out. When the tank went dry, 
	we came upon a gas station to refill.

EXT. PRAIRIE LAND -- LATE DAY

The sun is falling into the horizon. The traveler's CAMARO 
pulls into a small gas station

EXT. GAS STATION -- CONTINUOUS

Heroine goes up to the service window with Tubbs and looks 
inside. Nobody. There is a slight BUZZING from inside.

Hero hollers from the fuel pump by the car.

			HERO
	What's goin' on? The pumps are off.

			TUBBS
	There's nobody here --

She follows the buzzing sound to a corner of the room. There 
is a swarm of black flies crawling over half a STATION 
ATTENDANT'S gutted torso.

			HEROINE
	They've been here!

			HERO
	Turn on the pump!

Glass shatters as Heroine reaches inside to turn on the pumps.

INT. BAR -- NIGHT

			HEROINE
	We had no time. All we knew was the 
	sun was dropping and we had to get 
	enough fuel to make it through the 
	night at 90 miles per hour...

EXT. GAS STATION -- LATE DAY

Hero fills their Camaro.

			HERO
	Suck it down you metal bitch. Suck 
	it down.

INT. GAS STATION -- CONTINUOUS

Heroine and Tubbs hastily grabs food and drinks, ignoring 
the cash register completely. The sun is setting.

EXT. GAS STATION -- CONTINUOUS

Hero turns as a shrill HISSING comes from the shadows...

INT. BAR -- NIGHT

			HEROINE
	It happened fast...

EXT. GAS STATION -- LATE DAY

Heroine and Tubbs emerge from the gas station shop.

			HERO
	Move it!

Heroine and Tubbs hear the growing cries of the Beasts.

Their loot hits the pavement as they run.

			HERO
	Get in the car, baby.

Hero drops the spilling gas nozzle. Tubbs slides into the 
back as Heroine jumps into the driver's seat.

Hero runs over the top of the Camaro and slides into the 
sunroof. He grabs a rifle and aims toward the leaking gas 
pool. Something rises in the gas station.

INT. BAR -- NIGHT

			HEROINE
	That's when I saw three others... 
	just for a second.

EXT. GAS STATION -- SUNSET

Three lean, muscular shapes rise from the shadows.

			HERO
	Roll!

Heroine fires up the car and tears out. Hero shoots and the 
station becomes a FIREBALL.

INT. CAMARO -- CONTINUOUS

			HEROINE
	Close the roof!

Hero lowers into the back seat and starts to close the roof 
as STRIPPED COUSIN BEAST lands on top of the car...

			HERO
	Shit!

Stripped Cousin Beast PUNCHES through the back window, 
reaching for them. Heroine jerks the wheel.

The car 180's and the Beast sails off of the car into 
darkness. The Camaro tears down a tangent dirt road.

			HERO
	We made it!

Hero reaches back to give a "five" to Tubbs. Tubbs doesn't 
respond. Heroine is the first to see Tubbs' quivering, 
HEADLESS body in the back seat.

INT. BAR -- NIGHT

Heroine stands near Grandpa Beast's head.

			HEROINE
	It must have smelled the blood or 
	something. We buried the body and 
	got back on the main road when...

INT. CAMARO -- NIGHT

BOOM! Grandpa Beast LANDS on the front hood of the Camaro.

Heroine and Hero SCREAM and rev the engine, swerving madly 
as Grandpa Beast VOMITS on the windshield.

			HERO
	Break!

Heroine slams on the breaks. Grandpa Beast slides back, 
holding onto the grill.

			HERO
	Go! Go! Go!

Grandpa Beast tears into the engine through the grill as 
sparks and smoke shoot out. Heroine jerks the steering wheel.

			HERO
	Look out!

INT. BAR -- NIGHT

			HEROINE
	And that's how I ended up here.

			BARTENDER
	And the head?

INT. CAMARO -- NIGHT

The car crashes into a ditch, DECAPITATING Grandpa Beast.

His head FIRES through the windshield, landing on Heroine's 
lap. Its snake-like tongue lashes out at Heroine's crotch.

INT. BAR -- NIGHT

			HEROINE
	I don't want to talk about that.

			BARTENDER
	So, your husband ditched you?

			HEROINE
	No. It was wild out there. No time 
	to think. We just moved. He didn't 
	leave me. He just ran.

			BARTENDER
	Well, justice is funny.

Para wheels over to a COUNTY MAP on the side wall.

			ROADIE
	The three from the gas pump are over 
	at the TV station? And you say there's 
	four here, huh?

			HEROINE
	It appears so.

			COACH
	There's five here now, actually.

			BOZO
	Yeah, thanks for that.

			PARA
		(to Heroine)
	Hey, you lived on a farm, right?

			HEROINE
	Yeah.

			ADULTERER
	Do you think they're gone? I haven't 
	heard anything for a while, maybe 
	they're gone.

			BELLE
	Well, maybe they migrate?

			HEROINE
	As long as it's dark, they're around. 
	They hide, wait for you to drop your 
	guard, and then attack.

			TRAMPY
	How can you be so sure? You said 
	yourself this started a day ago.

			HEROINE
	We learned fast.

			BOZO
	We? We learned fast? You are all 
	that is left of we. No offense 
	Pocohantas, but I think someone else 
	should play "Chief" tonight. Someone 
	that knows the lay of the land.
		(beat)
	Like me.

			HEROINE
	Fine.

Para stares intently at the map. Adulterer moves over to the 
window that has shutters over it, peeking through a hole.

			ADULTERER
	Maybe these things are like locusts 
	or something and only come out for a 
	few days to feed. This could just be 
	a part of their life cycle.

			BELLE
	Somebody's gotta know something about 
	these things. This stuff just doesn't 
	happen out of the blue.

The room is silent. Bozo looks around, quickly moving towards 
Grandpa and Grandma.

			BOZO
	You!

			GRANDPA
	Wha?

			BOZO
	You gotta know somethin', you're 
	old.

			GRANDPA
	I don't know a thing.

			BOZO
	Old people know stuff like this. 
	Legends, tall tales, shit like that.

			GRANDPA
	No!

			BOZO
	Spill it!

			GRANDPA
	I don't know anything!

			BOZO
		(to Grandma)
	How 'bout you? Or do I have to get 
	rough?

			GRANDMA
	Heavens no!

			BOZO
	Come on! Think back!

			GRANDPA
	If I throw a stick, will you go away?

			BOZO
	That's just horse shit.

			HEROINE
	Relax, they don't know anything.

			BOZO
	Yeah... allegedly.

Bozo saunters off.

			PARA
		(to Heroine)
	Hey, where was your farm?

			HEROINE
		(points to map)
	East. Why?

			PARA
	Did you ever slaughter? Slaughter 
	livestock?

			HEROINE
	Previous owners did, I think.

			COACH
	What are you talking about?

			PARA
	Slaughterhouse run-off used to be 
	drained into piping that ran through 
	the mountains.

Para points along the map as he explains.

			PARA
	Earthquakes often cracked the piping 
	and those flow lines were condemned, 
	but never drained.

			COACH
	Cheese n' rice...

			TRAMPY
	I still don't get it.

			PARA
	What I am saying is... there's a 
	distinct possibility that what we 
	are up against is the result of steady 
	stream of blood and tissue that has 
	been leaking into the caves. And a 
	day ago... something broke out.

The group is silent.

			BOZO
	The first order of business is gettin' 
	a big fuckin' tampon in that cave!

			PARA
	Nope, that wouldn't do it.

FROM ADULTERER'S P.O.V. - He peeks out the hole and sees 
nothing but the dark night. Bartender eyes him.

			BARTENDER
	I wouldn't do that.

			BOZO
	They're probably on to the next buffet 
	by now. There's a retirement home up 
	the road, they'd be easy pickings.

			HEROINE
		(to Adulterer)
	Careful.

			ADULTERER
	I'm telling you, I don't see a thing --

BOINK! Papa Beast's claw POKES into his eye. Adulterer JERKS 
away holding his blood squirting eye socket.

FROM OUTSIDE

P.O.V. - The eye sees its owner stumble back and fall to 
the floor holding his face.

INSIDE

Coach and Trampy move to help Adulterer.

FROM OUTSIDE

The eyeball fires into Papa's drooling mega-mouth. SLURP!

INSIDE

BASH! A Beast arm BURSTS through the side wall and SNAGS 
Coach's pants and boxers. He screams and lunges forward. He 
is BOTTOMLESS.

			HEROINE
	Everyone stay in the middle of the 
	room! Off the walls! NOW!

Everyone obeys her command to get in the middle of the room.

Belle hands Coach a little menu to cover himself with.

			HEROINE
	Now, does everyone agree that they 
	are still out there?

The group nods.

			HEROINE
		(to Bozo)
	'Eh, Chief?

			BOZO
	...Duh.

Trampy holds Adulterer's wounded head.

			TRAMPY
	He's out cold.

			BELLE
	I know some first aid if we have a 
	kit. Do we?

			BOSS MAN
	In the kitchen, under the sink.

			HEROINE
	No one goes anywhere alone. Least of 
	all, unarmed.

			TUFFY
		(to Coach)
	There's some sweats in my bag behind 
	the bar.

			COACH
	Thanks.

Coach heads to the bar. Roadie moves to the map near Para.

			ROADIE
	You're a clever man.
		(re: Bozo)
	Why do you take shit from him?

			PARA
	Yeah, he's an ass, but he's my 
	brother. Que sera-sera.

			ROADIE
	Your brother, huh?

			PARA
	Yep.

			ROADIE
	Same parents?

			PARA
	Look man, I read books. He reads 
	bumper stickers.

Roadie nods. Heroine jerks a bottle of booze from Beer Guy 
and tosses it out.

			HEROINE
	Alright, we need to stay alert and 
	for everyone to take a role.
		(to Boss Man)
	You gotta have some guns or weapons 
	around here.

Boss Man, pale and morphine pumped, sits at a table with his 
foot raised.

			BOSS MAN
	I got my .38 here. That's six shots 
	and two refills. Downstairs, I have 
	locker with a sawed-off and some 
	gardening tools. Maybe a few boxes 
	of shells.

			BARTENDER
	I got shells, too. Box and a half 
	tops. Machete behind the bar.

			HEROINE
	Okay, well that's something.

			ROADIE
	So we've got guns, kitchen knives, 
	pipes, fire and sticks.

Beer Guy scans the stocked bar wall.

			BEER GUY
	I might be able to do something with 
	the bottles.

			GRANDPA
	You're gonna need a whole lot more 
	than that to get outta here alive.

The crowd turns to face Grandpa and his wife.

			BOZO
	Oh, now you have something to say?

Grandpa holds on to Grandma's hand as he speaks.

			GRANDPA
	You young'uns worry about weapons, 
	I'm thinkin' 'bout strategy.

			BOZO
	Oh? And what's that?

			GRANDPA
	Sit still, look less like a meal.

			BOZO
	That's for bears and sharks, chunky 
	chew.

The group looks back to Heroine.

			HEROINE
	Alright, what else do we have? Can 
	we somehow contact the outside world?

Trampy pensively stays on her fractured phone.

			TRAMPY
	I can't get anybody. I don't even 
	know if I have a signal anymore.

			BEER GUY
	I have a CB in my truck, we could 
	get some help out here.

			BARTENDER
	Who the hell would you call?

			BEER GUY
	Anyone.

			BOZO
	Do you drive a short beer bus or 
	something? You go out there, you get 
	eaten. You stay in here, you get 
	eaten. Anyone comes to help, they 
	get eaten. Don't you see a pattern 
	here, Spuds Makenzie?

			BEER GUY
	Then I guess we should just give up.

			BOZO
		(re: Trampy)
	Believe me, I'd love to save the day 
	and get some heroic snatch, but it's 
	not in the cards, partner.

			HEROINE
		(to Boss Man)
	You said you had a short wave radio.

			TRAMPY
	Where?

			BARTENDER
	Upstairs.

			BOSS MAN
	Go for it. It's by the far wall. 
	Channel 9 is the emergency frequency.

			HEROINE
	Good. I'm heading to the basement 
	for supplies.
		(to Bozo)
	And you're going upstairs.

Bozo blinks. A little taken aback.

			BOZO
	Let's not get carried away...

			HEROINE
	Step up, Chief.

			BOZO
	So that's how it is?
		(hands out)
	Fine! Shotgun, please.

Bartender hands him The Judge.

			BOZO
		(to Bartender)
	You're coming with, portly. 'Cause 
	if I'm attacked, I want a fat man 
	close by.

			BARTENDER
	I'll wait by the door.

			BOZO
	Now who else is comin'?

No one budges.

			GRANDPA
		(rising from his seat)
	I'll go with ya.

			BOZO
	What are you gonna do? Throw your 
	teeth at 'em? Sit down, Cocoon.

Bartender moves to the back of the bar, grabbing his machete.

At the same moment, Coach emerges from behind the bar in 
very snug, feminine-looking pink sweat pants.

			BOZO
	You! Zorba! You're coming too!
		(to Heroine)
	Now gimme the keys.

Heroine tosses the keys to Bartender.

			HEROINE
	No. You're locked in.

			BOZO
	What?

			HEROINE
	Those two will be on the other side 
	waiting for you. If you become food, 
	I don't want the only set of keys in 
	the belly of one of those things.

			BOZO
	Don't get your hopes up.

Bozo moves to the staircase. There's blood at the bottom and 
it gets worse with each step. Bartender and Coach follow.

Heroine turns to the bar.

			HEROINE
	Any volunteers to head into the 
	basement with me?

			TUFFY
	I will.

Tuffy stands, sniffling. She wipes the tears from her eyes, 
looking tough and resolute.

			BEER GUY
	That's not a good idea.

			BOSS MAN
	With what happened upstairs --

			TUFFY
	Shut up! Shut your mouth. You have 
	no idea what is running through me 
	right now. No idea.
		(to Heroine)
	I'm ready.

			HEROINE
	Alright.

			ROADIE
	Count me in.

			BEER GUY
	Me too.

Heroine, Tuffy, Roadie, and Beer Guy all move to the basement. 
The door creaks open slowly. The group descends.

OUTSIDE THE DOOR

Bozo slightly slips on the blood. He grips the railing and 
pulls himself up the staircase like an old man.

			BOZO
	Alright you two, I don't want to 
	hear any of this, "oh, I dropped the 
	key, wrong key, ain't no key here." 
	When I want out, I want out, ok?

			BARTENDER
		(displaying keys)
	They're right here.

			COACH
	We've got your back, bro.

They unlock the door, swinging it open.

			BOZO
	Just keep 'em handy, ladies.

Bartender has the key in the thick dead bolt, ready to move.

SECOND FLOOR

Bozo hustles in. The door shuts and locks.

			BOZO
	Wish me luck...

WHAM! Bozo is on the ground.

OUTSIDE THE DOOR

			BOZO (O.S.)
	I'm okay! I'm okay!

SECOND FLOOR

Bozo rises and nervously surveys the damaged floor.

			BOZO
	Come on. Come on. Come on.

Bozo jumps when he sees the gore and the bloody shoes from 
Cody's attack. The TV illuminates the room.

			BOZO
	Geeezzzus.
		(moving gingerly)
	Okay, now. Easy steps. Easy breaths. 
	Easy steps.

MAIN BAR

Belle kneels next to the Boss Man.

			BELLE
	How are you holding up?

			BOSS MAN
	Well...

He pulls a bottle out of his pocket and hands it to her.

			BELLE
	What is this?

			BOSS MAN
	Morphine. My magic potion. I need a 
	few drops.

She puts a few drops on his out-stretched tongue.

			BOSS MAN
	You should try a little, it'll calm 
	your nerves. Works like a charm.

			BELLE
	No other time than now, right?

			BOSS MAN
	Wait, before you do that, help me 
	move. There's a small room off the 
	kitchen where I can lay down.

			BELLE
	But --

			BOSS MAN
	It's much safer in there. Trust me.

BASEMENT

The basement is dark, dingy and scattered with crap. Dried 
out ANIMAL CARCASSES hang from the ceiling on hooks. A WINDOW 
is open. Roadie slams it shut, eyeing the room, staring into 
the dark corners.

			ROADIE
	Stay on your toes everybody.

Tuffy tightly grips her weapon, ready to fire. Heroine kneels 
next to a hatch door that emits a red glow.

			HEROINE
	What's this?

Roadie jams a pipe into the little door, bracing it shut.

			ROADIE
	You don't need to know what that is.

Beer Guy finds the dusty locker and opens it.

			BEER GUY
	There's a sawed-off shotgun in here.

OUTSIDE THE DOOR

Bartender and Coach have their ears pressed to the door.

			COACH
	Come on, bro.

Behind them, through a boarded window, something CRAWLS 
upward.

SECOND FLOOR

Bozo moves turtle slow.

			BOZO
	Lamaze. Lamaze. Lamaze.

He moves to the Boss Man's private room. He puts his hand 
out to open it. Trembling, he touches the knob and...

CREEEEEEEEAK! The door eases open. Bozo steps inside the 
room. He moves over to a lamp and pulls the chain. A bat 
FLIES off the lamp shade SCREECHING. Bozo falls backwards.

			BOZO
	HAAAA!

OUTSIDE THE DOOR

Bartender and Coach jump back.

SECOND FLOOR

Bozo gets off the floor again. He may have filled his pants.

			BOZO
	Just a bat! I'm okay! Just a bat!

OUTSIDE THE DOOR

			BARTENDER
	If he doesn't shut up...

			COACH
	He is human kabob.

SMALL ROOM OFF KITCHEN

The room is like a converted pantry. Boss Man lies on a cot, 
kissing Belle. A tiny wall fan spins providing ventilation.

Belle pulls away and brushes back her long hair.

			BELLE
	Doesn't your foot hurt?

			BOSS MAN
	I can't feel a thing, Hon.

			BELLE
		(touching his crotch)
	How 'bout now?

			BOSS MAN
	You're a bad girl, aren't you.

Belle, a bit high, sways and starts to remove her clothes.

			BELLE
	Um-hmmm.

			BOSS MAN
	The girl's got rhythm.

She takes off her blouse and tosses it at him. She then lifts 
up her skirt and bends over, giggling.

			BOSS MAN
	There it is.

BASEMENT

Roadie emerges with two crates. He dumps them on the floor.

			ROADIE
	This is all junk.

Beer Guy holds a rusted machete.

			BEER GUY
	This could come in handy.

			HEROINE
	Let's get everything upstairs.

Heroine moves to the stairs, but stops. She grabs Tuffy by 
the arm and takes her aside.

			HEROINE
	I'm sorry.

			TUFFY
	Don't worry, I'm fine. Really.

			HEROINE
	I admire your strength.

			TUFFY
	Trust me, I plan on having a full 
	breakdown when this is over, but for 
	now, we all have to be strong, right?

Heroine reaches into her shirt and pulls out an IDENTICAL 
LOCKET as Tuffy's. She opens it and displays a picture of a 
LITTLE GIRL.

			HEROINE
	This is my daughter, Charlie. She's 
	all I'm after.

			TUFFY
		(fighting back tears)
	Oh...

			HEROINE
	And I'm gonna need your strength, 
	every bit of it.

			TUFFY
	You have it.

			HEROINE
	Good. But still do me a favor.

			TUFFY
	Name it.

			HEROINE
		(with a wink)
	Don't tell anyone I have a soft side.

			TUFFY
		(tiny smile)
	Deal.

SECOND FLOOR

Bozo turns and points the gun around the room. He sees the 
CB. It is like an intercom with a cable running outside. He 
drops the shotgun and fidgets with the CB knobs.

			BOZO
	Hello? Anyone there? We need help 
	out here at the United Nations Tavern. 
	Send guns, tanks, and all that shit. 
	10-4. S.O.S.

All he gets is static. A faint GROWL is heard outside. OUTSIDE 
THE DOOR Bartender hears the growl, his eyes grow wide.

SMALL ROOM OFF KITCHEN

Belle rubs her hands over her rounded ass and flicks her 
tongue at Boss Man.

			BELLE
	You wanna see, baby?

			BOSS MAN
	Hell yeah.

			BELLE
	How much you got?

			BOSS MAN
	How much I got, what?

			BELLE
	How much you got to see the show?

			BOSS MAN
	You don't understand, sweety. Daddy 
	doesn't pay. Daddy sees the show for 
	free. But you do get points for being 
	horny on a night like this.

She cringes and backs up a little.

			BELLE
	What?

			BOSS MAN
	You can't expect a man to buy a car 
	without a test drive first, can you?

			BELLE
	Um, hmm --

			BOSS MAN
	Now wiggle that sweet little ass 
	over here and sit on Daddy's face, I 
	wanna do some appraising.

SECOND FLOOR

Bozo barks into the CB.

			BOZO
	Repeat. We need help. SOS. Calling 
	all cars! Calling all cars! We need 
	help at the United Nations Tav --

The CB is JERKED from Bozo's hands and slams into the wall.

			BOZO
	Shit!

Bozo aims the gun at the wall. Chewing sounds begin.

			BOZO
	Double shit!

He backs up to the door.

OUTSIDE THE DOOR

			BOZO (O.S.)
	Okay, I'm ready to come out now!

Bartender confidently turns the key. CLICK! It breaks off in 
the lock.

			BARTENDER
	Oh!

SECOND FLOOR

			BOZO
	"OH!?" WHAT IS "OH?" What does "oh" 
	mean?

Bozo knocks on the door hard.

			BOZO
	HEY! OPEN IT!!!

OUTSIDE THE DOOR

Bartender looks to Coach.

			BARTENDER
	Wha?

SECOND FLOOR

			BOZO
	OPEN THE DOOR!!!

A thunderous CRASH! Boards fly off the wall.

SMALL ROOM OFF KITCHEN

Belle, hearing the crash, jerks back from Boss Man.

			BELLE
	What was that?

CRASH! Sister Beast #1 and Sister Beast #2 punch through the 
tiny wall fan and GRAB Belle by the scalp. She is JERKED 
against the wall.

She's slammed against it repeatedly and then -- RIP! Belle's 
skin is TORN from her head and torso. Boss Man jumps back.

			BOSS MAN
	Hoh-SHIT! Help!! Help me!!!

Belle falls into Boss Man's arms for a HIDEOUS KISS.

			BOSS MAN
	NO! NO! NO!

Boss Man shoves the bloody Belle back against the wall.

Sister Beast #1 pokes her head inside the room, hissing. 

MAIN BAR

Heroine and the others, just returning from the basement, 
hear the mayhem from upstairs and the kitchen.

OUTSIDE THE DOOR

Coach fumbles desperately with the jammed lock, trying to 
use his fingernails to turn the metal stump.

			COACH
	Great god, why do you damn me?!

SECOND FLOOR

Bozo bangs on the door and looks over his shoulder at the 
Momma and Papa Beast chomping at the wall.

			BOZO
	GET ME OUTTA HERE!!!

MAIN BAR

The group is mesmerized.

			PARA
	Oh please, no.

SMALL ROOM OFF KITCHEN

Boss Man uses the cot to block the Sister Beasts from 
entering. They hiss and shred the cot fabric.

			BOSS MAN
	They're getting in! Somebody help!

SECOND FLOOR

Bozo kicks and punches the door.

			BOZO
	HELP!!! GODDAMN IT!!!

MAIN BAR

Heroine charges up the staircase. Roadie rips the sawed-off 
weapon from Beer Guy and runs for the kitchen.

OUTSIDE THE DOOR

			BARTENDER
	The key broke off!

			HEROINE
		(to Coach)
	Move it!

Heroine rips the earring from Bartender's ear. He YELPS. She 
jams the backing into the lock.

SMALL ROOM OFF KITCHEN

Boss Man crawls for the door. Sister Beast #1 fires out a 
whip-like tongue and snags Boss Man's damaged foot. He howls 
in pain. Sister Beast #2 tongue-lasso's his other foot.

OUTSIDE THE DOOR

Heroine's picking fingers are bleeding from her effort.

			BOZO (O.S.)
	HELP ME PLEASE!!!

SMALL ROOM OFF KITCHEN

Boss Man is pulled towards the Sister Beasts.

			BOSS MAN
	HELLLLLP!!!

Roadie kicks open the door and FIRES at the Sisters. They 
dive back out of the room screeching.

SECOND FLOOR

			BOZO
	HELLLLLLLLP!!!

Right behind Bozo, the boards fly off the portal window.

Papa Beast flies at Bozo. Bozo spins and aimlessly FIRES his 
shotgun, hitting Papa Beast directly in the groin.

The door flies open. Bozo is YANKED to safety just as Papa 
STRIKES the closing door.

MAIN BAR

The patrons track the wild CRASHING and HIGH-PITCHED SHRIEKING 
sounds of Papa Beast. He finally breaks out of the upstairs. 
Beer Guy and Roadie carry Boss Man into the room as Coach, 
Bartender, Heroine and the shaken Bozo creep down the stairs.  
Bozo slowly takes a seat in his brother's lap.

			PARA
	I thought that was it for a second 
	there.

			TRAMPY
	What happened?

			BOZO
	I got Papa in the stones.
		(beat)
	He's neutered.

			PARA
	Whoa... good one...

			ROADIE
	That back room is sealed shut.

Heroine glares at Boss Man.

			HEROINE
	I told you to stay in the main room.

			BOSS MAN
	Yeah... I will. I will. Promise.

Coach eyes the group, this is his time to shine.

			COACH
		(rising, full of brawn)
	If they can't reproduce anymore -- 
	we are one step closer! A big step! 
	Now is the time to band together. We 
	need to rise up against these monsters 
	of the night! Those creatures are no 
	match for the human spirit! We can 
	do it! We just need to believe in 
	each other! In all of us! We need to 
	make a stand! Right here! Right now!

Long silence. Bozo stares.

			BOZO
	Dude, are you gay?

Coach sits down, humbled.

			HEROINE
	We know what not to do. We must stay 
	focused and together. The beasts 
	will find a breach. We gotta find a 
	way out before they find a way in.

			TUFFY
	Let's run for the cars, cause mass 
	confusion.

			BARTENDER
	The lot's too damn far, that's 
	surefire suicide.

The room is silent. Bartender motions to Boss Man, but he is 
promptly shushed by Boss Man. Heroine notices.

			HEROINE
		(to Boss Man)
	What?

			BOSS MAN
	What?

			HEROINE
	You know what.

			BOSS MAN
	I don't know shit.

			HEROINE
		(to Roadie)
	You. What was that door downstairs?

			BOSS MAN
	Wait, wait, wait.

Heroine glares at Roadie.

			HEROINE
	Don't bullshit me.

			BARTENDER
	It's a tunnel.

Roadie nods, causing Boss Man to sigh.

			BARTENDER
	It runs about a hundred yards and 
	spits out on the backside of that 
	hill down the way.

			HEROINE
	What's it for?

They clam up.

			HEROINE
	What's it for!?

			BOSS MAN
	Grass, man. I grow pot down there.

			HEROINE
	Does the tunnel spit out near a car?

			BOSS MAN
	It spits out behind the parking lot.

			BOSS MAN
	My truck is near, but it ain't nearly 
	big enough to haul the whole lot.

			HEROINE
	It's a shot. Is it gassed up?

			BOSS MAN
	Fully.

			HEROINE
	Four door?

			BOSS MAN
	Two.

			HEROINE
	How many can it hold?

			BOSS MAN
	Six.

			HEROINE
	Max?

			BOSS MAN
	Seven.

			HEROINE
	It's gonna fit thirteen.

			BOSS MAN
	Thirteen clowns wouldn't fit.

			HEROINE
		(with hand out)
	Keys.

			ROADIE
	What're you planning?

			HEROINE
	Three of us go. Two to defend, one 
	to drive. We back up to the bar and 
	then tear ass out of here.

			BOSS MAN
	Sounds sketchy.

			HEROINE
	Let me make this clear; if we stay, 
	we die.

Boss Man reluctantly pulls out some keys that are on a string 
around his neck.

			ROADIE
	Give 'em to me, I'm going.

			BARTENDER
	You're trusting that con? He'll ditch 
	us and never look back.

			ROADIE
	Fuck you too.

			BARTENDER
	Get in line!

			HEROINE
	Hey! I'm not trusting him either, 
	that's why I'm going with.

Coach stands forward.

			COACH
	"Courage is being scared to death, 
	but saddling up anyway."
		(off blank stares)
	The Duke. I will go.

			HEROINE
	This is it. They have this place 
	surrounded, but if we go under them 
	we might just make it.

			BARTENDER
	This is a bottleneck waiting to 
	happen.

SMACK! Bozo SLAPS Coach's ass.

			BOZO
	This one's great under pressure. I 
	wish you luck.

			HEROINE
	The rest of you prepare the weapons, 
	whatever you got left. 'Cause when 
	we crash through those walls, we're 
	bringin' death with us.

Heroine takes The Judge from Bartender and hands it to Coach.

			COACH
	No, I don't believe in guns.

			BARTENDER
	This ain't time for a political 
	stance.

Coach takes the rusty machete from Beer Guy.

			COACH
	This doesn't run out of ammo.

			BARTENDER
	Got ya.

Heroine, Roadie, and Coach move to the basement.

			BOZO
	Hey!

The three look to Bozo, who offers a parting nod.

			BOZO
	When you get to that truck... drive 
	it like you stole it.

INT. BAR -- CONTINUOUS

At a booth, Trampy re-bandages Adulterer's eye.

			TRAMPY
	How does it feel?

			ADULTERER
	Lousy.

			TRAMPY
	You still have one left.

			ADULTERER
	Yes, the silver lining.

			TRAMPY
	It serves you right for cheating.

			ADULTERER
	Spare me.

			TRAMPY
	I figure it's karma. You wronged me 
	and you wronged your wife, so this 
	is karma biting you on the ass, or 
	in your case... in the eye.

Bozo moves close, surveying the bandage work.

			BOZO
	Oh yeah?

			TRAMPY
	It could be worse, you could be dead. 
	Then again, the climax is upon us.

			BOZO
		(re: Trampy's hair)
	Ya know, that's not a bad look on 
	you. Kinda 1985, but not bad. I'd 
	hook it up.

			TRAMPY
	I wouldn't fuck you for practice.

			BOZO
	Tease.

			ADULTERER
	Leave her alone.

			BOZO
	Hey, cyclops. Let's have a quiet 
	contest... starting now.

Bozo turns his attention back to Trampy.

			BOZO
	Ya know, in situations of duress, I 
	have found that women are attracted 
	to my authority.

INT. BAR -- BASEMENT -- CONTINUOUS

Heroine, Roadie, and Coach make their way through the 
basement. Creeks and cracks with every step.

			ROADIE
		(to Heroine)
	You handle yourself pretty well. You 
	a cop or a criminal?

			HEROINE
	Neither. Just a farmer.

			ROADIE
	Oh yeah? Then how do you do it?

			HEROINE
	I just think about my husband and 
	daughter... and the rest is easy.

The light casts a shadow of something BEHIND THE CURTAIN.

Roadie moves to open the curtain with his sawed-off barrel.

			HEROINE
	Easy.

WHIP! The curtain slides. It's a dried animal hide on a hook. 
They all sigh. Roadie unblocks the tiny door.

Heroine scans the room.

			ROADIE
	This place is creepy in the daytime, 
	too. Ready?

Coach's hand shakes as he raises his weapon.

			ROADIE
	Scared?

			COACH
	No. You?

			ROADIE
	Of course not. I fight monsters all 
	the time.
		(gripping the door)
	On three.

Roadie, Heroine raise their weapons.

			COACH
	One... two... three!!!

Roadie whips open the door. Nothing.

BANG-GONG-GONG! Some pipes CRASH to the ground next to them... 
they jump, but nothing is there. A LITTLE MOUSE emerges from 
the fallen heap.

			COACH
	Well, look at that.

Coach leans down and puts out his hand. He smiles as Heroine 
watches over his shoulder.

			COACH
	Hey, little fella.

			HEROINE
	Let's go.

He leaves the mouse and follows Heroine to the tunnel.

SLURP! A pink tongue LASSOS the mouse.

A red fluorescent glow radiates from the tunnel. They all 
drop in, one by one, entering the steamy, confined space.

			COACH
	Looks like a brothel for plants.

			ROADIE
	Shhhhhhhhhhhhh.

INT. BAR -- NIGHT

Tuffy stands by a far wall, looking through the planks for 
movement. At the bar, Beer Guy makes MOLOTOV COCKTAILS.

Bozo moves close, slaps Beer Guy's constructing hand.

			BOZO
	Ah-ah-ah! You're doing that all wrong!

			BEER GUY
	What do you know?

			BOZO
	I know you're doing it wrong.

			BEER GUY
	Prove it.

Bozo grabs a cloth rag and moves to the alcohol bottles.

			BOZO
	Move aside, princess.

INT. TUNNEL -- NIGHT

The tunnel is thin and no more than SIX FEET HIGH. Cherry 
red fluorescent lights line the top of the tunnel and kneehigh 
marijuana plants are along the ground soil. There are thick 
pipes above the plants that work as a makeshift watering 
system. There is about six inches of water on the floor.

			COACH
		(to Roadie)
	You and I are similar. We both have 
	accents. We both travel a lot. We 
	both don't really have homes...

			ROADIE
	You should be quiet.

			COACH
	I am sorry, I ramble when I'm nervous.

			HEROINE
	Quiet.

Coach bites his lip, dying to say something.

			COACH
	It's just that this seems like the 
	opportune time for someone to be 
	horribly... offed.

			ROADIE
	What did I say?

			COACH
	Sorry. I'm done now.

INT. BAR -- NIGHT

Bozo stuffs the cloth rag into one of the bottles.

			BOZO
	You don't want the rag touching booze, 
	that way you can hold it and ensure 
	it explodes when you throw it.

			PARA
	You sure? I thought the rag had to 
	touch?

			BOZO
	I'm sure.

Bozo finishes the Molotov cocktail and grabs a beer.

			BOZO
	Perfecto. What we should do, though, 
	is put those peanut barrels to use. 
	Fill 'em with booze and line up some 
	planks. If the walls come down... we 
	hit 'em Donkey Kong style.

Para and Beer Guy eye the three large peanut barrels, perfect 
for bomb-making.

			PARA
	Genius.

			BEER GUY
	You aren't nearly as dumb as you 
	look, are you?

			BOZO
	Next time, look within. Stereotyping 
	can be ugly and hurtful.

Bozo looks to Trampy, putting an arm around her shoulder.

			BOZO
	Excuse me for being forward, but I'm 
	curious about your dimensions.

INT. TUNNEL -- NIGHT

Roadie leads the way and glares at the opposite end. The 
tunnel slightly curves, so he can't see the whole way down.

			ROADIE
	Hold up. You hear something?

A SCRATCHING sound is heard from above.

			ROADIE
	They're trying to burrow through the 
	tunnel walls.

			HEROINE
	Move.

The scratching sound increases, now heard from the far end 
of the tunnel as well.

			COACH
	Like moles these things.

Then, Sister Beast #1 drops into the tunnel from the far 
end.

She charges. At the last second, Roadie spots her.

			ROADIE
	Duck!

Roadie and Coach duck into the water, but Heroine is unable 
to avoid a thrust that knocks her back ten yards. Sister 
Beast #1 lands and turns, surveying her prey. Roadie aims 
his water-dripping gun, but Heroine rises and blocks his 
shot.

			ROADIE
	Stay down!

From her knees, Heroine fires. BLAM-BLAM-BLAM! The three 
shots push Sister Beast #1 backwards. Heroine rises, covered 
in muddy water and bleeding from a cut across the face.

			HEROINE
	Go! The bitch is mine!

Roadie and Coach reluctantly turn, leaving Heroine to fend 
with the Beast.

Heroine charges. Hissing, Sister Beast #1 charges as well.

Heroine pumps and fires. BOOM! Sister Beast spins, avoiding 
the shot. Now too close, Heroine jams the Beast in the mouth 
with the gun, knocking her back.

Sister Beast #1 responds with a swipe and chomp on the arm.

Heroine bats her away. Sister Beast #1 moves to the others.

			HEROINE
	Look out!

Roadie and Coach sprint until Sister Beast #2 BURSTS through 
the tunnel walls, stopping Roadie and Coach in their tracks.

Roadie fires his weapon, but it sparks and fizzles.

			ROADIE
	The shells are wet!

With the two Beasts closing in. The men are trapped. Coach 
looks around, seeing a plan.

			COACH
	Grab onto ceiling and get out of 
	water!

			ROADIE
	What?

			COACH
	Do it!!!

Grabbing onto the piping along the ceiling, Roadie pulls 
himself from the water. Coach uses the machete to cut a power 
cord from above. He grabs the exposed, sparking end.

			COACH
		(to Heroine)
	Get out of water!!!

Heroine sees what he's doing, sprints back the way they came.

As the two Beasts charge, Coach pulls himself out of the 
water by holding onto the above piping. He's forced to wait 
for Heroine to get out of the water.

The second she does, he jams the cord into the water.

ZAP! The conductive water sizzles. Sister Beast #1 and Sister 
Beast #2 lock up and crash. ELECTROCUTION. Sparks and smoke 
rises from their cooked bodies.

Roadie and Coach look to each other, victorious. They begin 
shimmying along the piping to the end of the tunnel.

INT. TUNNEL/BASEMENT -- NIGHT

Heroine looks back at the two men. She turns and reenters 
the basement.

GAH! Teen Beast drops in front of her, whacking her to the 
floor. Heroine slides across the floor, but jumps up quickly. 
Teen Beast cautiously moves in for the kill.

Heroine raises her weapon.

			HEROINE
	You fuck with my family. 
		(aiming shotgun)
	I fuck right back!

Click -- out of ammo!

			HEROINE
	Oh shit.

Heroine THROWS the shotgun at him and pulls out the MACHETE.

She rolls left and swings. Teen Beast loses two fingers.

She swings again but gets whacked to the floor.

Heroine rolls with the hit, grabs her shotgun, and dives 
into the KEG ELEVATOR.

She slams closed the door as Teen Beast regains its composure 
and lunges. BAM! It CRASHES against the door.

INT. TUNNEL -- NIGHT

Roadie and Coach crawl to the platform by the exit.

			COACH
	They will write stories of your 
	bravery.

			ROADIE
	If there's anybody left.

The two men climb up the ladder leading to the ground above.

At the top, Roadie pushes off the plywood covering. The two 
men peer into the night and spot the TRUCK.

INSIDE KEG ELEVATOR

Heroine wedges the door closed. The Beast continues to try 
to get in. Heroine bangs the top of the small elevator... 

			HEROINE
	Send it up! Send it up!

MAIN BAR

Tuffy backs up and hears the screams from the keg elevator.

			TUFFY
	Hey! Hey! She's in the shaft!

Beer Guy hits the button. The gears grind and start to pull 
the elevator up to the main floor.

INSIDE KEG ELEVATOR

Heroine squirms as the elevator rises.

			HEROINE
	Move it! Move it! Move it!

As Teen Beast starts to tear at the base of the rising keg 
elevator in the shaft, Heroine pounds and tears at the few 
planks above her in the keg elevator.

MAIN BAR

Beer Guy hits the button.

			BEER GUY
	Come on!

			BOZO
	Ol' Crazy Horse has seen it.

			TUFFY
	Shut up!

INSIDE KEG ELEVATOR

The elevator SHAKES. Heroine POUNDS a hole through the 
elevator top. She tries to squeeze through the SMALL HOLE.

Teen Beast BITES through the floor board of the keg elevator.

CLANGGG! The elevator stops. Heroine lurches and grabs the 
greasy cables to stop her fall.

			HEROINE
	Goddamn it!

MAIN BAR

			TUFFY
	It stopped. It fuckin' stopped!

INSIDE KEG ELEVATOR

Heroine screams as the elevator shakes. Teen Beast is 
struggling to climb right under her.

MAIN BAR

			TRAMPY
	Do something!

INSIDE KEG ELEVATOR

			HEROINE
	I'M ALIVE! OPEN THE DOOR!

MAIN BAR

Tuffy moves for the keg door. Adulterer grabs The Judge from 
Bartender.

			ADULTERER
	Stop!

			TRAMPY
	What the fuck are you doing?!

			ADULTERER
	They can't get in here! We agreed!  
	They'll get us!

			TUFFY
	She can make it!

			ADULTERER
	I will not die because of her!

			BARTENDER
	Don't be stupid, drop the gun!

INSIDE KEG ELEVATOR

Heroine HACKS at one of the two greasy cables. Teen Beast is 
in the elevator car and RISING.

MAIN BAR

			TRAMPY
	YOU'RE KILLING HER!

			ADULTERER
	They'll get in! We'll all die!

INSIDE KEG ELEVATOR

Heroine almost has the primary cable cut. Teen Beast rises 
up to bite.

SNAP!! The cable BREAKS. Heroine SOARS up the shaft. Teen 
Beast is pulled down to the bottom. The keg elevator door 
bursts open on impact.

Heroine SLAMS into the ceiling, kicking and yelling.

MAIN BAR

Tuffy KNOCKS Adulterer's shotgun up, takes the gun, and rips 
open the keg door. Heroine swings out.

P.O.V. - Teen Beast is right behind her with mouth open and 
ready to feed. Tuffy points her shotgun.

BLAM! Teen lurches back, dropping back down the shaft.

Tuffy slams the keg door shut. Heroine pants on the floor.

Adulterer is down, winded.

			BOZO
	Welcome back.

			HEROINE
	F-f-fuck you.

			BARTENDER
	What the hell happened?

			TUFFY
	You okay?

			HEROINE
	I think they made it.

She turns to Adulterer, rigid.

			HEROINE
	Stop trying to get people killed. It 
	is getting very old.

Adulterer nods, ashamed. Heroine looks around the bar. She 
notices the peanut barrels on top of the bar. Two wooden 
planks serve as track, leading straight for the side wall.

			HEROINE
	What's this?

			BOZO
	Ingenuity, baby. Ingenuity.

			HEROINE
		(to Bartender)
	I need some shells.

			BARTENDER
	I have two left.

Bartender expels a shell from The Judge and hands it over.

			BARTENDER
	Make it count.

Heroine cringes, eyeing the lined up Molotov cocktails.

			HEROINE
	Let's prepare ourselves, they ought 
	to be here with the truck any minute.

			BOSS MAN
	Bullshit.

Boss Man sips a bottle, still hopped-up on morphine. He lazily 
loads his pistol from a pool of bullets on his belly.

			BOSS MAN
	If you ask me, I'm gonna just lay 
	right here, wait for sunrise, then 
	walk on out of here.

			HEROINE
	That's your choice, but this is going 
	to get a whole lot worse before it 
	gets any better.

Boss Man shrugs, content with himself.

			BOSS MAN
	If all of you run for it, they won't 
	care about lil ol' me. They like the 
	food that moves...

CRASH! Teen Beast's arm ERUPTS through the Boss Man's belly.

His pistol and bullets scatter across the floor.

			BOSS MAN
	OHHH!!!

SNAPPP!!! His head and legs SLAP together as the arm pulls 
him through a small hole in the floor.

The group jumps back. Blood rockets out. His body is pureed 
down the tiny hole.

			HEROINE
	Get on the tables!!! On the tables!!!

Everyone struggles to get on the tables.

CRASH! Teen Beast's arm reaches up and GRABS Para's 
wheelchair, violently shaking it. Para FALLS to the floor.

Teen Beast's arm grabs Para's leg...

			PARA
	HELP ME!!!

			BOZO
	Bonsai!

Bozo jumps from a table and STOMPS on Teen Beast's arm. He 
picks up Para and TOSSES him onto a table.

			BOZO
	Hot potato!!!

Bozo leaps back onto a table. POP! The power cuts out. The 
room goes black.

			BEER GUY
	We're gonna die!

			ADULTERER
	What the hell?!

			HEROINE
	Settle down!

			TRAMPY
	Stop it! Stop it! Stop it!

And with that, the shouting and pounding stops. The group 
nervously shuffles around the tables.

There's silence.

Dead silence.

Then, far is the distance, beyond the walls, a sound is heard. 
It's screaming. And it's approaching. Rapidly. The survivors 
maneuver to peek out the front walls.

			BARTENDER
	What's that?

Tuffy sees what is coming.

			TUFFY
	They didn't make it.

EXT. BAR -- CONTINUOUS

Being held by Papa and Momma Beast, Roadie and Coach are 
both rushed towards the wall like human battering rams.

			ROADIE
	RUN!!!

THUD! The first strike causes the men to HOWL.

INT. BAR -- CONTINUOUS

The survivors shake in sickened silence. From beyond the 
walls, they can hear high-pitched SCREAMS.

THUD! THUD! THUD! With every strike, a splattering of blood 
spits through the planks of wood.

			BARTENDER
	That wall's coming down!

			BOZO
	Commence Plan B!

The entire group goes into motion.

			HEROINE
	What's Plan B?

			BOZO
	Just watch the floor and keep the 
	others safe!

THUD! THUD! THUD! With a final furious strike, a few wood 
planks splinter. Papa Beast sticks in his head and hisses.

			BOZO
	Bomb's away!!!

From the bar, Beer Guy, Tuffy, and Adulterer release the 
first peanut barrel. It's ablaze and sails straight for Papa 
Beast. BLAM! It explodes, bursting open the wall and knocking 
back Papa Beast. The wooden walls go up in flame.

Para, on a side table, reaches out and grabs Boss Man's .38 
from the floor.

The second peanut barrel is released. It sails outside the 
breach, but it doesn't explode. Nevertheless, the Beasts 
stay far away.

Teen Beast madly rips floor boards away, moving towards Para's 
table. Teen Beast bursts through the floor, knocking Para to 
the floor.

Para crawls to his fallen wheelchair. Teen Beast spots him, 
moves in to feed.

Para points his seat back at the scattered .38 bullets and 
flips the armrest switch. SNAP! The bullets jump to the power 
magnet. Para yanks one free, loads the pistol and turns just 
as Teen Beast strikes...

POP! The shot hits Teen Beast in the eye, sending him back 
down the hole in the floor.

Heroine and Bartender move in. When Teen Beast sticks his 
head out of the hole again, they thrust both their shotguns 
into each ear.

			HEROINE
	Now!

BLAM-BLAM! The two shots scatter head everywhere.

The flames in the bar spread, catching the entire wall and 
roof on fire.

EXT. BAR -- MOMENTS LATER

The second barrel comes to a stop a good distance from the 
bar. Suddenly, the top is knocked off. Trampy sticks her 
head out.

Seeing no trouble, she emerges, dizzy as hell, and races for 
the nearby BEER TRUCK.

INT. BAR -- MOMENTS LATER

Papa and Momma Beast both charge the bar. The third peanut 
barrel is released. It sails for them, but they dive out of 
the way.

KABLOOM! It takes out the rest of the wall. Fire and smoke 
fills the place.

Adulterer douses Momma Beast with booze as Beer Guy nails 
her with a lit Molotov cocktail.

WHOOSH! Engulfed in flame, she bolts from the bar shrieking.

			BOZO
	One down, one to go!!!

Papa enters and is instantly cornered. He swings wildly.

			HEROINE
		(to Bartender)
	Help me!

Heroine and Bartender rip the DEER HEAD from the wall and 
charge Papa, pinning him against the wall with the antlers.

			HEROINE
	Come on!

Bozo and Beer Guy dive into Papa's legs, holding them down.

Tuffy picks up The Judge.

WHAM! The shotgun butt knocks out Papa's front teeth. Tuffy 
raises the weapon again, staring down at the monster that 
killed her child, but Papa Beast gets an arm free to knock 
away her fatal blow.

Bartender wrenches Papa Beast's arm with all his might. With 
her hair stuck in Papa Beast's claw, Tuffy is pulled face to 
face with the beast. She squirms as he chomps at her, but 
with no front teeth, he can't do immediate damage.

			BARTENDER
	I can't hold him!!!

			HEROINE
	Do something!!!

Tuffy reaches back and shoves her fist into Papa Beast's 
mouth, jamming it down his throat. He instantly gags, sucking 
for air.

Papa Beast struggles to get free, but the others hold tight.

Papa Beast's body begins to quiver from a lack of oxygen.

His eyes widen, face to face with Tuffy.

			TUFFY
	CHOKE ON IT!!!

With one last lunge, Papa Beast shakes, his life drifting 
away. His eyes turn black as his body goes limp. Tuffy pulls 
out her arm from his throat.

			BARTENDER
	God...

			BOZO
	I need to get your number.

Tuffy shakes her wet arm dry. As the group pulls away, Papa 
Beast is still pinned to the wall with the deer antlers dug 
into the wood.

Heroine turns to Grandma and Grandpa, offering a hand.

			HEROINE
	Come on, I'll help you.

			GRANDPA
	No thank you, we're content.

			HEROINE
	I'm not leaving anyone behind.

			GRANDMA
	Maybe next time, dear.

Heroine swallows and nods. HONK-HONK-HONK! Just outside the 
breached wall, the beer truck pulls up.

EXT. BAR -- CONTINUOUS

The beer truck screeches to a halt. Trampy's at the wheel, 
waving the group over. With the bar burning, a thick layer 
of SMOKE blankets the entire area.

The people amass at the opening, but Heroine stops them from 
advancing. The group stares the dark night. Silent.

			HEROINE
	She's still out here.

Heroine eyes the truck, seeing something she likes.

			HEROINE
	Stay put.

She creeps out alone.

			HEROINE
	Where are you... come on...

Nothing. Just smoke. And silence.

			HEROINE
	Come on! Come on!

From the smoke, a smoldering Momma Beast charges like a bull.

At the truck, Heroine opens the back doors and dives in, 
leaving the doors open. Momma Beast gives chase, entering 
the back.

INSIDE TRUCK

Heroine is deep into the truck as Momma Beast enters. She 
advances, hissing.

			HEROINE
	Come and get me you blood-chugging 
	CUNT!

Momma howls and charges. Heroine slides out the side keg 
door, locking it behind her. Before Momma can see the trap, 
Beer Guy slam closed the rear doors.

OUTSIDE TRUCK

Beer Guy latches it. Trampy comes around the truck.

			TRAMPY
	You got her? You got her!

			HEROINE
	Not for long, we gotta burn it.

Heroine looks to the others at the breach.

			HEROINE
	Come on! Let's blow this thing!

The others move into action. Beer Guy takes off his shirt 
and shoves it into the fuel tank. Adulterer and Bozo, with 
Para riding piggyback, help. They use the Molotov cocktails 
to make a fuel trail leading away from the truck.

			BEER GUY
	When this lights, run like hell.

About fifteen yards away from the truck. Bozo throws his 
silver-plated American Eagle lighter to Heroine.

			HEROINE
		(catching lighter)
	Here we go...

Then, a noise: EOCH-OCK-OCK! EOCK-OCK-OCK! EOCK-OCK-OCK!

A deafening pattern of sound erupts from within the truck.

It's Momma Beast. Again and again.

			TUFFY
	What is that?

			HEROINE
	She's calling for help.

Heroine drops the lighter onto the fuel. It races for the 
truck. When feet away, COUSIN BEAST lands, stomping out the 
fire with his foot.

			BOZO
	The fan has officially been buried 
	in the shit.

Instantly, another beast, AUNT BEAST, lands on the top of 
the truck. These Beasts are like the others, but stripped. 
The group gasps. Trampy backs away.

			TRAMPY
	We have to run --

BURST! Trampy's rib cage is ripped from her body. The culprit, 
UNCLE BEAST, stands behind her. Her organs drop like a box 
of vegetables. Cousin Beast lets out a high-pitched roar. 
From atop the truck, the rear doors are ripped open. Momma 
Beast emerges.

			HEROINE
	Get to your cars!!!

The Beasts spring into action, chasing the group.

Bozo, with Para on his back, sprints for his car. Aunt Beast 
RIPS Para from Bozo's back.

			BOZO
	Motherfucker! Give him back!

Bozo runs for his Trans-Am. Para falls to the ground, still 
alive. Bozo turns back and sees him.

			BOZO
	Oh Jesus!

			PARA
	HELLLPPP!

Bozo grabs his brother and puts him on his back again, runs.

			BOZO
	I thought we lost you --

Para is RIPPED into the air again.

			BOZO
	You FUCKER!

Tuffy and Bartender jump into his PICKUP TRUCK.

			TUFFY
		(to Heroine)
	Get in!

Heroine hops in the back.

Beer Guy and Adulterer run to a car together. Beer Guy lags 
behind, continually looking over his shoulder.

			ADULTERER
	Run and quit looking back!

As Beer Guy looks forward, Aunt Beast and Uncle Beast hit 
him HIGH-AND-LOW, cutting him in half. Bozo makes it to his 
Trans-Am.

			BOZO
	DO IT!

VAHVVVOOOMMMM! The car roars to life. He pushes in a tape.

The "MIAMI VICE" theme song blares from the speakers.

			BOZO
	Get me FUCK BIRDS!

Bozo peels out. Aunt Beast lands right in his path.

			BOZO
	No you don't!

BAM! He SMACKS Aunt Beast head on, sending the creature's 
disemboweled body sailing through the air.

			BOZO
	VENGEANCE!

Para DROPS from the sky, still ALIVE and panting. Cars are 
moving everywhere.

			PARA
	Oh Jesussss...

INT. BAR -- CONTINUOUS

The burning JUKEBOX plays a slow love song. Dancing and 
holding each other, Grandpa smooches Grandma on the forehead.

			GRANDPA
	We had a good run.

EXT. BAR -- CONTINUOUS

Para crawls along the ground, being ignored by the Beasts.

			PARA
	HELP ME! HELP ME SOMEBODY!

Bozo turns on his windshield wipers to clear off the blood 
and guts. He spots Para.

			BOZO
	Hang on!

Para claws the ground.

			PARA
	Hurry! Hurry! Hurry!

Bartender jerks the wheel of his car.

			BARTENDER
	Oh shit!

Para sees Bartender's approaching truck.

			PARA
	NOOO!!!

Para rolls right, just missing tires. Para yells for his 
brother.

			PARA
	COME ON! GODDAMN IT!

Bozo's eyes bulge.

			BOZO
	Brother!!!

BAM! Para is SMEARED by Adulterer's car.

			ADULTERER
	Shit!

Bozo floors it.

			BOZO
		(overly endearing)
	I meant to tell you so much!

The remaining cars maneuver to hit the open road.

INT. BAR -- CONTINUOUS

Grandpa and Grandma hold each other tight. Uncle Beast enters, 
moving to their table. It moves in for the kill.

Grandpa kisses his wife gently.

			GRANDPA
	Close your eyes, hon.

The Beast OPENS its massive jaws and... CRASH! Bozo's car 
DRIVES through the bar, SMEARING the Beast.

INT. BOZO'S CAR -- CONTINUOUS

			BOZO
	YOU ARE SUCKING MY DICK!!!

Bozo guns the engine, crashing out the other end of the bar.

EXT. BAR -- CONTINUOUS

Bozo's car veers, flipping over a pile of rubble.

			BOZO
	Motherfucker!!!

Bozo squirms in his flipped car, UPSIDE-DOWN.

He hears a Beast approaching. He pulls out a BUTTERFLY KNIFE 
from the open glove box and SAWS at his safety belt.

Cousin Beast leans into the passenger side of the car and 
looks him right in the eye. Bozo raises the knife.

			BOZO
	Lord, if I die, bury me upside down 
	so the world can KISS MY ASS!

Cousin Beast leaps in.

EXT. BAR -- CONTINUOUS

The remaining TWO CARS race down the road.

INT. BARTENDER'S CAR -- CONTINUOUS

With the peddle to the floor, Bartender drives.

			BARTENDER
	I think we're in the clear --

BAM! Momma Beast lands on the roof. She reaches inside and 
yanks out Bartender's throat. The car veers.

Tuffy rights it, leaning over and stomping on the gas. Momma 
yanks at the door, pulling it open. Tuffy pushes out 
Bartender's corpse and JERKS the wheel.

IN THE BACK

Momma Beast falls back, knocking down Heroine. Momma Beast 
nearly falls out, but manages to grab the rear gate with one 
claw. Defenseless, Heroine backs away. Momma Beast holds on 
tightly, pulling herself onto the bed of the truck.

Tuffy stares back through the glass, unable to do anything.

Momma Beast lunges towards Heroine. Momma Beast's claw snags 
Heroine's locket, jerking Heroine right up to the creature's 
face. The locket catches Momma's attention for split second.

Her remaining eye goes from the picture of Charlie to Heroine.

Momma's mouth opens wide. Heroine screams!

And then, a beam of the RISING SUN catches the gold locket 
and burns into Momma's eye. In one quick motion, she's gone, 
taking the locket with her.

Heroine lets out her breath, reaching around her neck for 
what is no longer there. The truck SKIDS to a halt. Tuffy 
jumps out.

			TUFFY
	Are you okay?!

			HEROINE
	I don't know, I think --

			ADULTERER (O.S.)
	Hey!

They both jump as Adulterer approaches.

			ADULTERER
	Are you two all right? They left! We 
	made it! I think we made it!

			TUFFY
	They'll be back.

			HEROINE
	We're safe until dark, but we need 
	to find other people.

Heroine rises and moves to the cab of the truck. She finds a 
pack of cigs under the visor. Pops in the lighter.

			HEROINE
	You know where the IGA grocery store 
	is over in Red Mountain?

			ADULTERER
	Um, yeah, ten miles west.

			HEROINE
	They have a bomb shelter.

PING! The lighter springs out, hot. Heroine lights up and 
passes one to Tuffy.

			HEROINE
	We'll meet in three hours?

			ADULTERER
	I don't wanna go home alone... I 
	don't wanna see what might have...

			TUFFY
	Don't worry about that. Just go.

Moment of silence as Adulterer and Tuffy look down the 
desolate road.

			ADULTERER
	I'm sorry about your son. I really 
	am.

Tuffy nods, affectionately touching his hand.

			ADULTERER
	Where are you two going?

			HEROINE
	We're going to get my little girl.

			ADULTERER
	I wish you luck.

The car peels off. Adulterer watches the car tear down the 
road. He glances up at the RISING SUN.

EXT. TOWN ROAD -- DAY

A sign reading "RED MOUNTAIN" swings lazily in the breeze.

Tuffy and Heroine coast down a town road. There are random 
POOLS OF RED BLOOD in the dirt. No one in sight.

EXT. TOWN ROAD -- DAY

Adulterer drives along a small town road. There's no sign of 
life here either.

EXT. HEROINE'S GRANDMOTHER'S HOUSE -- DAY

The car pulls up to the house. The only sound is the wind.

INT. BARTENDER'S CAR -- CONTINUOUS

Heroine and Tuffy look at each other and proceed with caution.

INT. ADULTERER'S CAR -- DAY

He pulls up in front of his house. The front door is swinging 
open, BANGING against the door frame.

INT. HEROINE'S GRANDMOTHER'S HOUSE -- DAY

Heroine enters the ransacked house. Tuffy follows.

INT. ADULTERER'S HOUSE -- DAY

He enters his house. It too, is a mess.

INT. HEROINE'S GRANDMOTHER'S HOUSE -- DAY

They look down the stairs to the basement. Nothing. They 
move up the stairs to the second floor.

SECOND FLOOR

SMACK! They spin to the noise.

INT. ADULTERER'S HOUSE -- DAY

He moves up the stairs to the master bedroom. SMACK!

There's a noise at the end of the hall. SMACK!

INT. HEROINE'S GRANDMOTHER'S HOUSE -- DAY

They cautiously move to the last room in the hall. A 
scratched, closed door without an outside handle.

			HEROINE
	Oh no...

Heroine kicks in the door and...

There's a note on a teddy beer that says, "WE WENT TO THE 
SHELTER. LOVE GRANDMA AND CHARLIE."

			TUFFY
	They're alive!

The shudders SMACK against the wall.

INT. ADULTERER'S HOUSE -- DAY

Adulterer holds a shattered PICTURE of his wife and two kids.

He sighs and puts it down.

			ADULTERER
	I'm sorry... I'm so sorry...

EXT. IGA (GROCERY STORE) -- DAY

The sun shines bright in the cloudless sky. There is a stiff 
wind that stirs up the dust. Bartender's car slowly lurches 
up the street.

INT. BARTENDER'S CAR -- CONTINUOUS

Heroine and Tuffy skeptically look at the surroundings.  

			HEROINE
	It's right up there, in the back of 
	the store.

EXT. IGA (GROCERY STORE) -- CONTINUOUS

The car pulls up in the back of the store and stops. They 
get out, looking around. Tuffy holds a machete. Adulterer 
kneels against his car.

			HEROINE
	Where is everyone?

			ADULTERER
	I don't know, I just got here. Did 
	you find your girl?

			HEROINE
	She's supposed to already be here.

			TUFFY
	Your family?

Adulterer shakes his head, acknowledging their death.

			TUFFY
	I'm sorry.

Adulterer sheepishly nods.

			HEROINE
	This place is a ghost town.

The group makes their way to the store front, peeking beyond 
the glass doors.

			ADULTERER
		(pointing)
	Look!

In the distance, in middle of a dusty parking lot, CHARLIE 
stands staring at them.

			HEROINE
	Charlie?

Heroine runs to her and the others follow. Charlie fidgets 
awkwardly. She cries and blood stains her dress.

			HEROINE
	Charlie!

As Heroine nears, Adulterer GRABS her arm.

			ADULTERER
	Stop! There's something wrong!

			HEROINE
	Honey!?

The group eyes Charlie, noticing Heroine's locket around her 
ankle, leading to a slightly ajar manhole cover. Suddenly, 
the sunlight starts to FADE. They look up the sun.

			TUFFY
	Oh god.

The MOON moves in front of it -- a SOLAR ECLIPSE. Beast 
HISSING and FLUTTERING is heard. Heroine looks from left to 
right, panic stricken.

			CHARLIE
	Mommy!

The sunlight is fading. The manhole cover shakes, something 
is holding Charlie in place. Heroine lurches forward, but 
Adulterer holds her at bay.

			ADULTERER
	It's a trap!

At a standstill, the group looks around for options. In the 
distance, the darkness of the eclipse rolls towards them.

Adulterer reacts, grabbing Tuffy's machete and lunging for 
Charlie. The strike cuts the chain at her ankle. The manhole 
cover POPS off and a Beast claw sinks into Adulterer.

The darkness covers the manhole. Momma Beast rises, hoisting 
Adulterer's blood dripping body from the ground.

			ADULTERER
		(gurgling blood)
	Run!!!

Heroine scoops up her child, moving away from Momma Beast.

Tuffy grabs them both, leading them back towards the store 
front. As Adulterer's blood flows, Momma Beast drags him 
towards her main prey. 

A blanket of darkness leads Momma Beast, overtaking the 
survivors. At the store front, Heroine pulls Charlie close. 

			HEROINE
		(a whisper)
	I love you...

							CUT TO BLACK:

EXT. IGA (GROCERY STORE) -- AN HOUR LATER

A string of ten WHITE VANS come to a halt in the dusty parking 
lot. THE MAN IN TAN (45, buzz cut, leathery skin, cool) steps 
from the lead van and surveys the ravaged small town.

A swarm of men emerge from the other vehicles, all dressed 
alike in work boots, gas masks and coveralls. They go into 
action honing in on rubble with SENSORS and COUNTERS.

			THE MAN IN TAN
	What's the damage radius?

TECH (27, horn-rimmed glasses, all business) eyes a laptop.

			TECH
	Twenty miles. Red Mountain, 
	surrounding farms, local TV studio.

			THE MAN IN TAN
	How many picked up the broadcast?

			TECH
	We'll have figures within the hour.

The Man in Tan closes his eyes in thought.

			TECH
	Sir, what's the spin?

			THE MAN IN TAN
	Tornado cluster.

			TECH
	This is the California high desert.

			THE MAN IN TAN
	Get what you need to sell it.

			COMPANY MAN (O.S.)
	Sir, we have movement!

The Man in Tan moves to a few men standing over a pool of 
blood and guts. Using the sensor equipment, the COMPANY MAN 
follows the blood trail that enters the grocery store.

INT. IGA (GROCERY STORE) -- CONTINUOUS

The place is torn to hell. Dust and soot hangs in the air.

The men instinctively raise their high-powered rifles, letting 
the flashlights on the ends lead the way. They follow the 
trail of blood to a back FREEZER LOCKER.

It's scratched, bashed and thrashed.

			THE MAN IN TAN
	Open it.

Company Man #2 steps forward and uses a metal-cutting chainsaw 
to cut through the hinges. The door falls with a THUD.

As the dust clears, Tuffy, Heroine and Charlie stare back at 
the men, huddled together in a defensive stance.

The Man in Tan creaks his neck.

			THE MAN IN TAN
	Gentlemen, help them to safety.

Heroine, holding Charlie, lurches back.

			HEROINE
	You're not safe, she's still alive, 
	she'll be back...

			THE MAN IN TAN
	Relax. We know. We're the calvary.

The Man in Tan steps forward, guiding the group out.

EXT. IGA (GROCERY STORE) -- MOMENTS LATER

A bulky security truck pulls up. A DRIVER, holding a bloody 
rag to his nose, gets out and moves to the back door.

			THE MAN IN TAN
	What happened to you?

The Driver nods to the back of the truck, opening the door.

Bozo lurches out, handcuffed and chained.

			BOZO
	Get these cuffs off me! I'm a goddamn 
	hero for Christ's sake!

A shirtless, irate BOZO sits next to Grandpa and Grandma in 
the back. He settles at the sight of the others.

			GRANDMA
	G'morning.

			BOZO
	Thanks for waitin' for me back there, 
	really fuckin' appreciate it!

Heroine covers her daughter's ears as the survivors are helped 
into the truck. Tuffy sits, looking to Bozo.

			TUFFY
	How'd you survive?

			BOZO
	I found a new weak spot on 'em, but 
	it damn ain't pretty getting to it.

Heroine, last in the truck, turns to the men.

			HEROINE
	Where are you taking us?

			THE MAN IN TAN
	A trauma center. We have doctors 
	waiting.
		(off Heroine's pause)
	You're in good hands now.

The door shuts on Heroine's concerned face. The Man in Tan 
locks eyes with the Driver.

			THE MAN IN TAN
	Do it quick and spread the mess.

The Driver nods back. Sinister implication understood.

The Man in Tan lights a cigarette as he watches the truck 
drive off. The truck's logo reads, "FARM-AID." He inhales.

Freeze on him.

NAME: THE MAN IN TAN 
AGE: 45 
OCCUPATION: HE CAN'T TELL YOU 
PURPOSE: TO LAY GROUNDWORK FOR SEQUEL 
LIFE EXPECTANCY: PRETTY F-ING GOOD

The Man in Tan exhales a gust of smoke.

								FADE OUT:

					THE END
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